Those few seconds you waste thinking too much about whether to take that picture or not. This is what you learn to get rid of when joining an On the Road workshop.
In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the flow. And you do it because the camera eventually becomes your main means of communication. It’s no more an object you use to do something but, instead, it turns into an essential part of the creative process. You start feeling the images through the viewfinder and not just seeing them.
And, as a matter of fact, this is really good fun!

The workshop was a great experience for me and I indeed agree that it brought together people who otherwise probably would have never met. And for me, that is what life is all about! (…) The number of people participating in the workshop was perfect. I think the small group is essential to having the opportunity to sit together and give enough time to each person to evaluate and discuss his or her photos. I liked the right mix of freedom and direction. (…) I really feel that I got to know the many faces of the city with its many diverse photographic opportunities. I think presenting other photographers’ work and meeting local photographers contributed to the quality of the workshop. Your honesty and way of critique was constructive and helpful. I feel that I walked away from the workshop with specific ‘phrases’ that I will think about in the future when photographing. (…) Overall, while it might be quite obvious, I learned that photography is very hard work and that you have to take many pictures to have only a few good ones. In the past, I think that taking lots of crappy pictures often discouraged me to go on. This workshop taught me what to look for and what elements in a shot make a good photograph. I also think that I became more comfortable to connect to people through photography. Before this workshop I sometimes felt that I was in a way ‘stealing’ pictures, but when you share a cup of tea with some fishermen and they let you photograph them it feels that our paths have crossed and both sides gave something to the moment/experience. I was inspired to learn more about photography and then focus on a specific project where I can photograph with a specific aim.

Doctors, teachers, students, architects, among others, left their comfort zone and their countries to meet other photographers to go to an unknown part of the world. 12 hours a day taking photos, then editing them to get to enjoy the cherry to the cake, meeting Nikos every evening to share all the results of each productive day. A whole week of pure pleasure to those passionate about photography. The guidance received by Nikos after first seeing our portfolio made us be prepared for the days to come. The feedback received every night not only by him but also by the other photographers, helped us continue to improve our way of photographing. Exchanging views with the others was a very enriching experience, both personal and professionally. Nikos’ sensibility and the encouragement he gave us made us realize that he is not only a great photographer but also a humble and considerate friend. I highly recommend this workshop to those lovers of photography and to those seeking to move on or searching for new ways. I am looking forward to joining more workshops with Nikos in the near future.

The workshop with Nikos, was a unique experience. He opened a new door to the world of photography for me. The tips he gave me were extremely useful and his advises clearly changed my photography approach. Finally I want to thank the whole group that made the experience unforgettable, and I am looking forward to taking part in my second workshop.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

The Varanasi workshop was clearly the highlight of my India visit. Nikos’ advice after our first editing sessions that I should use only my 50mm lens and shoot only black and white was very valuable. After that I felt more relaxed and focused and could produce more consistent and better images. After coming home I have re-examined the Varanasi photos and I must say that I am pleased with the results. I would also like to thank for the great company during the workshop. During the daytime each student could work individually with her/his own problems. In the evenings we gathered together to discuss the results. This scheme worked out very well: you could see how the students progressed during the week. I felt that Nikos’ comments, even the critical ones, were to the point and always supportive. A specially memorable evening was when Nicos showed and discussed some of his own iconic images. I felt privileged to see and hear his thoughts on style, photography, art and life in general.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

First of all I would like to thank Nikos and the participants very much for the workshop in Istanbul. The learning experience of the workshop was absolutely immense. It was participant-centered, and this provided not only close supervision but also great space for creativity and room for www.ontheroad.grelopment. Further, I have really enjoyed meeting with Nikos and the other participants. For me meeting with Nikos was like ‘downloading wisdom’ from a master photographer like himself but the challenge lied in reflecting that wisdom on my photographs. In addition, I think participants added much to my experience with their diverse approaches to photography and they were great company. Given his credentials, I think Nikos is very modest while professing strongly his mastery secrets and has a very nice personality. I feel privileged to have been a part of this whole experience and hope to get together with them sometime in the near future at another workshop.

My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.

I have been an avid photographer for the past few years and moved to Greece from New York only a few months ago. Greece is my homeland but has experienced many changes during my 9 years of absence and I am eager to use my camera to tell the present story. Attending the workshop was a no brainer, being on the spot and needing a serious incentive to get me on the streets of Athens. What I got in return was much more than I had bargained for!!! I met Nikos and discovered a person who went far beyond small technical issues, discussing what photography is really all about and using his own experiences as examples. The topics were endless and his willingness to answer every question and clarify every blurry notion was remarkable. I was very impressed with his openness and how friendly and giving he was. Sharing our knowledge and our experiences is most important and it is what helps us and those around us grow. And Nikos certainly does that. Furthermore, I was very happy that Nikos encouraged participants to go off on their own to shoot. We need to www.ontheroad.grelop our own vision and make our own mistakes. In short, thank you Niko for an amazing week and I look forward to future workshops and more guidance from you!

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

I feel really blessed to be part of the community of “ontheroad”. Nikos is an extraordinary mentor for everyone no matter which level one is working on. And, besides the joy of the journey it’s the great company of all the warm people you meet in this workshop. The things we have learned from Nikos are starting to work in my mind and i hope to begin seeing not just recording something. I really enjoyed it a lot. I really look forward to the next workshop.

Here is some feedback on the Oaxaca workshop. Simple and short – the workshop was absolutely amazing. Excellence defined.
The feedback sessions in the evenings were transforming with deep inspiration continuing as a growth journey day by day. I highly appreciate the way Nikos gives feedback and shares his amazing vision and way of seeing, it is clear and to the point, with the beauty of the creative process not being jeopardised. A way of life, how to shoot, when not to shoot, and how to discipline your mind loosing the experienced feeling of time. I definitely left Oaxaca with deep and new inspiration.
Excellent workshop. Amazing atmosphere.
Great workshop set up – with a feeling of freedom in the creative process and flow during the day.
Unique feedback sessions in the evenings with firm and clear communication.
Tailored feedback how to improve day by day Again. Just great. Difficult to describe in words!

Thank you again for that week in Istanbul. I had a realy good time. All was great, the workshop and the city. At the beginning, when you saw my previous work, i received “a bucket of cold water on my head”. And that was exactly what i needed. My aproach to photograhy has changed totally. The way I look at photography now is more mature. During a week spent at the workshop i feel i achieved something I’m proud of. The only bad thing is i start loving this city and now I’m planing to go back there and do some more work.. Once more big thanks for all.

Dear Nikos,
I wanted to take a moment to express my gratitude for all of the guidance and support you have provided me as a www.ontheroad.greloping photographer.
Your expertise in composition and storytelling has truly helped me to www.ontheroad.grelop my photographic eye and to think more deeply about the messages and stories that can be conveyed through photography.
I have appreciated very much, the way that you take the time to review my work, editing each picture and explaining every detail. Whether we have met in person during workshops or through Zoom sessions, your feedback has always been gentle yet constructive, pointing me in the right directions to further www.ontheroad.grelop my skills.
You have taught me that every picture must stand on its own in terms of composition and that each one should tell a complete story.
Your own masterful ability to create complex situations or to focus on a single subject always triggers empathy and astonishment in the viewer, and I am so grateful for the way you have taught me, to hopefully do this in my own work.
Thank you for being such an extraordinary teacher and mentor, and for sharing your wisdom and expertise with me. I am grateful to have had the opportunity to learn from you and to grow as a photographer under your guidance.
Lookin forward to continue our journey together.
All the best