There is a british saying – “those who can, do and those who can’t, teach” – and indeed, judging from my profession the best surgeons are usually unable to transmit their knowledge insofar as their talent and ingenuity is what drives them, and this cannot be easily transferred. So, I I did not know what to expect from a Magnum workshop.. I couldn’t have been more pleasantly surprised ! Nikos kept proving , again and again, how someone who is a (generally accepted) master in his work and has acquired a place as one of the main photographers of the 20th century, can also be a simple and down to earth person: His immense patience kept surprising me, day after day: When I thought that he would have had enough going through another bunch of amateur’s photos, he manifested kindness coupled with insight while critiquing our photos. He constantly managed to stay acutely interested, after hours of looking into photos, to adjust his level of critique to different photographer levels, without appearing either patronising or bored. Every photo would appear to be an opportunity to delve deep into the nature of photography this is not a course about flashes and lenses and f-stops indeed, it presupposes you have reached an appropriate technical level, going beyond that, trying to understand the nature of photography, why some photos move us and confuse and grasp us in such a way an academic level teaching from someone who at the same time is a real photographer. Someone who can gravitate at the same time between being the artist and the critic, the producer of art and the academic (a combination that would be normally unthinkable!). The course is not for the faint hearted it is intensive and demanding , not because of Nikos’ demands or attitude (on the contrary , he is relaxed as can be) but because you will be surrounded by talented, motivated photographers , everyone of which will be doing his/her best. This is not a course on sunsets and cute babies – but you will hear intelligent and thought provoking quotes on photography, that most people would have to spend years reading to finding from the non-descriptive power of photography to the importance of light and to the language and balance of images.. One could keep on talking about the course what was most interesting was that half of the participants Addis course have followed his previous workshops. Probably this is the greatest compliment to the workshop. I am looking forward to my next session with Nikos..

Joining Nikos’ workshop has become a yearly must-do event for me. Why? Because his workshops are, for me, the ideal way to travel, if you’re serious about photography. Nikos always offers a destination that promises to be photographically interesting. He ensures we get to immerse ourselves in the place. There’s always someone who has done the ground work, and yet the itinerary remains casually open and flexible. On top of that, he has a way of challenging you to perform better and improve, but never to the point of creating competition. So far, in the three workshops I’ve attended, the participants have been a generous, agreeable, and encouraging bunch, which really is the effect Nikos’ personality and method of mentoring. Finally, in Uruguay, we had the uncommon experience of seeing some of Nikos’ images shot during the workshop, as well as some unpublished work, which left us in awe. That was special.

I met Nikos last April in Iran’s workshop for the first time.We traveled for ten days and that trip changed my perception of photography. He taught me how to go beyond the limits and break strict rules and let creativity inspire me to create my own photography style. After 7 months,I decided to participate in another workshop and Varanasi was a great choice for me. The city was the most amazing place I’ve ever visited and if it wasn’t for the workshop, I might have never gone there. We had enough time during the day to see the city and the special ceremony which was held in that time. And in the evenings,reviewing participant’s photos encouraged me to explore the city more in the next day.

I feel really blessed to be part of the community of “ontheroad”. Nikos is an extraordinary mentor for everyone no matter which level one is working on. And, besides the joy of the journey it’s the great company of all the warm people you meet in this workshop. The things we have learned from Nikos are starting to work in my mind and i hope to begin seeing not just recording something. I really enjoyed it a lot. I really look forward to the next workshop.

I liked very much not only the editing process but the general discussions we had about photography, and the way you challenged everyone and frankly shared your opinions. In my opinion, the more opinionated, the better. (…) I liked the way you emphasized the idea of creating the portfolio from pictures with a similar approach. I feel I am on the way to www.ontheroad.greloping a style.

I sometimes felt like a first year violin player in a master class. I do not mind feeling a bit stupid at times and think I profit a lot by learning of the best. I have learned a lot and will continue to do so for quite some time. And hopefully, I will be able to join other workshops (…) I liked the approach very much – giving advice on the one hand and letting the participants find their own way on the other. And then, of course, the voyage was marvellous, extraordinary in the purest sense of the word.

Every evening, after a busy day of wandering the streets and shooting, I was rewarded with the pleasure of looking at the interesting and beautiful pictures of my fellow students in the workshop. In doing so and by Nikos‘ wonderful and empathetic teaching and the ensuing discussions, I learned so much in terms of visual perception and the transformation into a good picture that I can see more clearly now than ever before the direction, in which I want to move and on what I need to focus on. Thank you, Nikos for yet another enriching experience and thanks to all of you for the pleasant time we shared during the week in Istanbul. It was marvelous!

All along this workshop, I’ve learnt and understood many many things, photographically and personally. My vision of photography has considerably changed. After these eight days, I feel really motivated to carry on learning, practicing and enjoying photography. This experience was very fruitful and positive. Moreover, I appreciated that you give a chance to every person. Thank you for all that !

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

The best aspect of Nikos workshop for me was to realize that a good photo can be best produce by liberating oneself from codes and rules. Seeing everyday each participant become visually freer and freer was revealing. Nikos has a passion for images and this workshop was all about sharing with us this passion. We were all motivated and thrilled by everybody’s images, comments and discussion about what makes an image better than others. Nikos gave us freedom, feedback and love for photography beyond imagination. Thank you. It was truly a unique experience.

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought my images were improving and were becoming more interesting. Then, after all the reviews I attended, I saw my pictures and suddenly they were old and ordinary again. I was completely upset. But now I am realizing that day after day and picture after picture, his advices led me to start finding a new way – my own way – to take photos. Ok, probably this is just the beginning, but it’s a good start. Thanks Nikos!

The workshops of Nikos Economopoulos are a great teaching experience. For him there is no “must” or “don’t”. I was suddenly confronted with all my past choices in a way that forced me to go backwards and look for all those things that I had previously discarded in order to re-assess them. At least I now feel closer to the truth. And I thank him for this and for everything else.

The Sanliurfa workshop was inspiring and exciting both with regard to the photos taken by the other members of the group as well as the area and the cities we were visiting. Further, I enjoyed the evening sessions. I like the way Nikos criticizes the pictures of the photographers and gives them advice each on his/her individual professional levels. Nobody has to fear to be embarrassed – on the contrary, I was motivated not only by the comments and advice to become a better photgrapher but felt also supported by the other group members.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

My sincere thanks for the exciting workshop in Istanbul. I really enjoyed the time with you and the other participants. It opened my eyes for things I have been looking for (getting away from boring pictures). I certainly have lots to think about and practicing to do for some months now and I am sure I will produce better pictures in the end.

The Myanmar “on the road” trip was such an enjoyable and memorable experience. I really enjoyed meeting Nikos, and all the other participants, and have genuinely learnt so much, which is gradually finding it’s way into my photography. Nikos’s passion for photography was inspiring. I found him to be a great teacher, warm, genuine, direct, and generous in sharing his wealth of insight and experience. Nikos encouraged us to create interesting photographs that went beyond the purely descriptive. Day by day, through the editing process, the resulting portfolios grew to reflect each participant’s personal response to the people and places we encountered along the way. The experience was made all the more enjoyable by sharing it with a group of interesting, creative people. I found the workshop challenging but hugely rewarding, and I know that I will continue to apply all that I have learnt, thanks Nikos!

I’ve been thinking the past two weeks, trying to re-evaluate my photos with a better, more critical eye. Seeing how you evaluate each photo, examining each element, their relation to each other, and how they come together to make a photograph changed the way I look at photographs now. And I think this is what I gained most from the workshop: I can already see that your comments were pretty much spot on about the portfolio I presented, but I’m still a long ways from being a decent editor. I’ve already started heavily studying the works of other photographers and I’ll probably do a re-edit of that portfolio in six months to see how much I’ve progressed. The other benefit from the workshop was that I’m more focused in shooting. You saw this change during the course of the week, so I don’t think I need to elaborate more. Now I just need to work harder to make good photos. (…) Completely changing my photography in a week is almost impossible, but I think you’ve pointed me in the right direction. The real benefits of the workshop will come months from now if I follow through on two things:

learn to recognize a good photo and
put what makes those good photos good into my photos (but not in a way that I’m copying).

It was a fun and helpful week. I’ll work to make better photos now!