In just one week much of the information I had accumulated in a previous photo course, just clicked and started to make more sense. I loved your workshop. You made me see Istanbul and it’s people very differently. I cherish the opportunity to find out the stories behind some of your great works. Plus I discovered with amazement the incredibly humble and warm person behind the fascinating photographs that I had grown to admire. And as a bonus, you introduced us to Ara Guler who even signed books for us. Thanks, looking forward to seeing you again. From now on will always be looking for flying crocodiles..

Ethiopia’s workshop has been a wonderful experience for my photography.
Nikos guides you on a very precise path: one camera, one lens, one format between black and white and color, and focus on the image. Just relax, react to what you see, without too much thought or preparation.
This may sound obvious, but it was not for me at the beginning: I’ve passed from confusion, feelings of inadequacy, to be more and more confident and able to enjoy the process, and it’s been amazing for me to see my pictures improve day by day, become more interesting and less ordinary.
Niko’s passion is contagious, he’s able to criticize very precisely and firmly but always in a positive and constructive way.
I still have l a long way to go, but I can only thank Nikos for giving me back enthusiasm and directions to improve my photography.
I really look forward for the next workshop with Nikos!

I came to the workshop feeling dissatisified with what I was doing with my photography and hoped that the workshop would help me find a more definite direction. I was particularly impressed with your ability to look at the work of the members of the workshop group, assess where we were up to photographically and individually give us feedback and suggestions based on this and on the work we did progressively throughout the workshop. The practical information you gave us (eg about ‘visual impact’, about taking care with all elements that fill the frame of a photograph – not just the main subject, etc), I also found useful. As well, I enjoyed the ‘journey’ of the workshop itself – seeing everyone’s work each evening and hearing about our different explorations of Istanbul (particularly those to areas away from the tourist hordes). However, the main overall impact of the workshop for me was that it made me realise and accept that, if I am to continue seriously with my photography, I do need to change my focus. Doing things the same old way is no longer an option. It will take me some time to properly work out what this should be, but the workshop has given me the impetus to make a start, as well as some constructive ideas. I am very grateful for that.

“Just walking, seeing and saying nothing and seeing the result at the end of the day. Giving myself to the road and being on the road. Hearing the honest comments Seeing throw a window that dear Nikos opens to my eyes, and exploring my country Even myself more than it. My second workshop. I wait for the next chance”

This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or, at least, I have begun to look for them in my pictures.

Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ?
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.

I did not know what to expect from a Greek maestro who lives and travels half the year in his cool VW T3. From the first hour of meeting Nikos in Pristina, my perspective on human relations and photography changed. His no-nonsense approach, opinions and advice delivered always with respect, kindness and often times, humour plus his wealth of life and photographic experience taught me to be free, take risks, challenge the norm and focus on making a compelling and difficult photo instead of fiddling with technical issues. What is also priceless, is his personal interest in the places and people we visited. Without his thoughtful commentary on the historical and cultural background to frame the environment we were in and his interesting friends who joined us during the week, it would have been a totally superficial tourist visit to Kosovo. I can’t wait to join him again.

Every evening, after a busy day of wandering the streets and shooting, I was rewarded with the pleasure of looking at the interesting and beautiful pictures of my fellow students in the workshop. In doing so and by Nikos‘ wonderful and empathetic teaching and the ensuing discussions, I learned so much in terms of visual perception and the transformation into a good picture that I can see more clearly now than ever before the direction, in which I want to move and on what I need to focus on. Thank you, Nikos for yet another enriching experience and thanks to all of you for the pleasant time we shared during the week in Istanbul. It was marvelous!

My sincere thanks for the exciting workshop in Istanbul. I really enjoyed the time with you and the other participants. It opened my eyes for things I have been looking for (getting away from boring pictures). I certainly have lots to think about and practicing to do for some months now and I am sure I will produce better pictures in the end.

This is my third workshop with Nikos. It has been very helpfull to me in order to discover what kind of photography I want to do in the near future and to begin to www.ontheroad.grelop my own style. I think Turkey is a great place to take pictures and I have the intention to go back several times and make a solid photographic portfolio of the country. The atmosphere, participants, place…all have been great.

The Trapani, Sicily workshop was the first I had with Nikos. The group was mixed with novice, very amateur and also more experienced photographers. Being an amateur photographer made me feel nervous in the beginning of the workshop. Rather than embarrassed on the first day I was quite happy and ready to go the next day. This feeling was related on how Niko created the environment, how he explained the portfolio and what he wanted from the novice participants in his workshop. The workshop really helped me to understand and feel the street photography and so it paved my path to a kind of photography which I really like. Niko’s does not go out with you and photograph with you, he let your instinct and mind to guide during the day while helps you in the afternoon during which he selects and edit the photos. The way he describes the art of photography was very helpful for every one of us and helped us to grow and to see the world in a different perspective. You always have something to note or keep in mind even if that comment was directed to a more experienced photographer.
“On the Road” helps every photographer to create new goals to achieve and also give to you the critical viewpoint for the photography. 
Another skill that you learn or handle better is the editing and the creation of a portfolio. Every day when you sit with Nikos to see and edit the photo he shows how a portfolio is create and is managed. Or maybe how a picture is edited. I am a black and white photographer and the workshop helped me to give the right tone and contrast for the photo in the editing process. In the end, Niko shows to everyone what he expects from them. Ending my comment I would suggest this kind of workshop not only for the accuracy Niko’s chooses the place, but even more of how he treats the participants (we spend quite a lot time together discussing as a community), how he treats photography and how it expresses and helps you gain at least a new level. Niko’s workshops help you to find a goal and work to achieve it but in the same time it gives to you the feeling of wanting to go to a new one. So, you can show to him if you have mastered the goal he posed before you. Looking forward to catch another wonderful and very helpful workshop with Niko very soon.

I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.

My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran with you guys -)”

My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.

Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will be putted to the test, if you have sweated enough. On some days life gifts you with one or two good photographs, but on some not a single one. So the next morning you’ll head out again and demand your luck. And at the end of a week or two with Nikos you make your way home safe in the knowledge that you have achieved and experienced something unique.

The workshop was a great experience for me and I indeed agree that it brought together people who otherwise probably would have never met. And for me, that is what life is all about! (…) The number of people participating in the workshop was perfect. I think the small group is essential to having the opportunity to sit together and give enough time to each person to evaluate and discuss his or her photos. I liked the right mix of freedom and direction. (…) I really feel that I got to know the many faces of the city with its many diverse photographic opportunities. I think presenting other photographers’ work and meeting local photographers contributed to the quality of the workshop. Your honesty and way of critique was constructive and helpful. I feel that I walked away from the workshop with specific ‘phrases’ that I will think about in the future when photographing. (…) Overall, while it might be quite obvious, I learned that photography is very hard work and that you have to take many pictures to have only a few good ones. In the past, I think that taking lots of crappy pictures often discouraged me to go on. This workshop taught me what to look for and what elements in a shot make a good photograph. I also think that I became more comfortable to connect to people through photography. Before this workshop I sometimes felt that I was in a way ‘stealing’ pictures, but when you share a cup of tea with some fishermen and they let you photograph them it feels that our paths have crossed and both sides gave something to the moment/experience. I was inspired to learn more about photography and then focus on a specific project where I can photograph with a specific aim.