(…) This sounds so cliché (…), but this workshop has changed my life! The 35mm has not left my camera and I am really enjoying composing in a way that is more interesting. (…) A few things that you said about my photography really shocked me but shocked me more to realise that you were right… still amazes me that you have made an observation that was so right from looking at my photos alone. Thanks.. In terms of feedback, I think the workshops in the evening were really enjoyable, especially being to learn from other participants’ work and your comments of them. Your help with interesting things to do prior to the workshop was also very helpful. The only thing that I would ask is for you to be even harder with your critiques and provide perhaps some sort of direction as to where each one of us could go…through each evening discussion as well as at the end of the workshop. I think your guidance to each of us is very valuable and we could do with more of it, well I could at least. (…) Not sure where photography is heading for me, but I have been loving every moment of it so far! I have learnt more in Beirut than I have in the last 2 years!

Joining Nikos’ workshop has become a yearly must-do event for me. Why? Because his workshops are, for me, the ideal way to travel, if you’re serious about photography. Nikos always offers a destination that promises to be photographically interesting. He ensures we get to immerse ourselves in the place. There’s always someone who has done the ground work, and yet the itinerary remains casually open and flexible. On top of that, he has a way of challenging you to perform better and improve, but never to the point of creating competition. So far, in the three workshops I’ve attended, the participants have been a generous, agreeable, and encouraging bunch, which really is the effect Nikos’ personality and method of mentoring. Finally, in Uruguay, we had the uncommon experience of seeing some of Nikos’ images shot during the workshop, as well as some unpublished work, which left us in awe. That was special.

I’ll never forget that week. It was like a revolution for me. Nikos and his point of view really impressed me and that workshop opened my eyes and showed me new worlds and possibilities. Words can’t express how great everything was. I felt so much free in Istanbul and I was so close to people who I didn’t know very well. It was much more about changing my ideals than my photographic view.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

Nikos workshop was by far the event with the most intense and strongest impact on my photographic view. It was an amazing pleasure to see everyone flourishing under Nikos relaxed and still disciplined guidance. Initially you might experience some confusion. You might still carry the diffuse anxious anticipation you built up before the workshop. Or You might feel even jammed seeing your former photographic concepts going to pieces. But then: Boooooom – comes the creative explosion within the steep part of the learning curve. You´ll very soon get more selective, more focused, more careful, more personal and more playful when working with your camera. Powerful stuff, hard work, lovely people and lots of fun. Nikos teaches a wonderfully concentrated no-frills approach to photography. One camera, one fixed focal. It´s all about the picture, the visual event in the frame and within that rigorous selection of what is interesting and what is not.

First of all I would like to thank Nikos and the participants very much for the workshop in Istanbul. The learning experience of the workshop was absolutely immense. It was participant-centered, and this provided not only close supervision but also great space for creativity and room for www.ontheroad.grelopment. Further, I have really enjoyed meeting with Nikos and the other participants. For me meeting with Nikos was like ‘downloading wisdom’ from a master photographer like himself but the challenge lied in reflecting that wisdom on my photographs. In addition, I think participants added much to my experience with their diverse approaches to photography and they were great company. Given his credentials, I think Nikos is very modest while professing strongly his mastery secrets and has a very nice personality. I feel privileged to have been a part of this whole experience and hope to get together with them sometime in the near future at another workshop.

This week was, by far, my best spent time concerning photography over these last few years.
I was trying to clear my mind, to find the right approach to photography, and this workshop was a stepping stone, taking me to another level of understanding.
Staying late each night, patiently going through other participants’ work, as well as my own, answering our questions, explaining choices we did not understand in the beginning, helping us to see the good and the bad elements in a photo, pointing out good content and good intention.
All these things and more, Nikos did in a very honest way, sharing his thoughts and his knowledge with each of us. A great photographer, and a really inspiring mentor.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

I have been on several workshops with Nikos. I keep coming back because, not only Nikos is an amazing person, but he is also a great teacher. Nikos manages to get the best out of all of us. The transformation of some of the participants is just amazing. I like the simple words he uses to “critique” images, his directness and honesty. He always challenges us to do better every day. He is very engaged in editing our photos whatever the level of the participants. I also love coming to his workshops as I always find the attendees friendly and interesting people. With a lot of them, we have continued to keep in touch and communicate regularly. His workshops are a truly unique experience. 

No doubt about it, a workshop with Nikos is an extraordinary experience. To all potential participants: feelings of incompetence and dread are not uncommon during the first 2 days, no matter your photographic level. Then the magic happens: Nikos’ unparalleled expertise, judgement, and above all humanity come to the fore – inspiring and fostering better and better work from all participants as the days pass. The honest and down-to-earth approach which characterizes Nikos simply ensures that, at the end, regardless of level and interests, you will feel and act like a better photographer. The result: a portfolio to be proud of, a fresh ‘eye’ and energy for all future photographic endeavours, a new group of friends you can learn from, and a profound sense of belonging to a dispersed yet resourceful photographic community that is On the Road workshops.

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

Thank you very much for a great yet challenging week in Marrakesh. Being ‘On the Road’ with you helped me to understand what the street photography is all about. This workshop allowed me to discover photography once again. Your advices and suggestions helped me in choosing a right direction for my future photographic journey. Time spent with other participants and possibility to see their work helped me to understand how much photography dependents on personality. In fact it inspired me to be a better person. I am sure I will see you again…

I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

I guess the first thing I would like to say is that I really enjoyed the whole experience. I liked the relaxed structure of the workshop, it was flexible and we were free to make our own plans for the day and to shoot pretty much whatever we chose. (…) In terms of the effect it had on my work, I feel I learned a lot and I feel more confident in my photography as a result. I don’t show many people my work, but all my friends and family have seen my Istanbul folio.

“Loved loved the workshop. Nikos is a great teacher. The way he offers feedback is fantastic, it helps you grow from day to day and see things in a different way from day to day. Really liked the daily edit session and learned a lot from looking at each other’s work. It was an honor to be part of a group of so talented photographers. Hopefully will be able to join another workshop in the near future.”