Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

I didn’t know what to expect when I sign up for this workshop. As this was a highly recommended workshop by a friend of mine I went for with the hope that it will change my style of photography and help me photograph better and understand the dynamics of what makes a picture different. I got more than I bargained for as each day was challenging to say the least. There were days when I struggled with my preconception of what makes a good photos and this prevented me from doing my best. It was when I was told by Nikos to “take photos like a child” did it liberate me and improved my style and brought me up to a different level. For this I am very grateful as it was a very important lesson for me. To be brought to a different level of understanding and photography and I leave the workshop in appreciation to my fellow photographers who have taught me a few things just by looking at their pictures and to Nikos for his invaluable advice.

Two words about something I don’t understand. About something that has been in me for over a decade. A tale that I had made up in my mind (…) In September 2009, I packed two changes of clothes dress and two cameras and came to Istanbul. Expectations? Countless. Reservations? Even more. ‘Fairy-tales do not exist’ I said to myself. But what I experienced in a week was more than I ever expected or even imagined. (…) I have been in a photographic frenzy ever since. I carry my camera with me all the time, everywhere. (…) Can no longer do otherwise.

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

I have been on several workshops with Nikos. I keep coming back because, not only Nikos is an amazing person, but he is also a great teacher. Nikos manages to get the best out of all of us. The transformation of some of the participants is just amazing. I like the simple words he uses to “critique” images, his directness and honesty. He always challenges us to do better every day. He is very engaged in editing our photos whatever the level of the participants. I also love coming to his workshops as I always find the attendees friendly and interesting people. With a lot of them, we have continued to keep in touch and communicate regularly. His workshops are a truly unique experience. 

I have participated in 4 workshops with Niko. You never stop growing and learning. Niko makes every workshop counts. Once you participate in one of Niko’s workshops you always want to keep coming back. He makes sure you go back home with the best portfolio you possibly can. You learn with your work and with the work of others, and you learn a huge amount. Niko is a fantastic teacher, he is direct, frank, honest and friendly. This is not a superficial commercial course, this is a personal search of a visual path. It is not easy but the rewards are amazing. Thank you again Niko.

The more workshops I do with Nikos the more I want to come back. Every place is different as the challenges to encounter. The good thing about coming back, is that he already knows how much we can achieve so he pressures us accordingly, and I think we most agree that our results get a bit better every time.
Like each new workshop is like starting from scratch, each day of it is also starting from scratch. In every meeting he would choose a few photos but the next morning we start again from blank. The days are long and intense, but for me it’s just pure joy. We have some good days but others we hit the wall. It’s inexplicable the pleasure we have when we manage to go over that wall. Sometimes it happens, sometimes it doesn’t. But as Nikos well said: “We can have good days and bad days. But that is not important. What really matters is that we never lose the great feeling of wanting to go out and take photos. That, it is very important.” And I do hope, to never lose that feeling.
Niko, thank you again, and I am already looking forward to Argentina next month.

I guess the first thing I would like to say is that I really enjoyed the whole experience. I liked the relaxed structure of the workshop, it was flexible and we were free to make our own plans for the day and to shoot pretty much whatever we chose. (…) In terms of the effect it had on my work, I feel I learned a lot and I feel more confident in my photography as a result. I don’t show many people my work, but all my friends and family have seen my Istanbul folio.

With this workshop i finally felt the urge to pay attention to my work, the way to select a photo for a portfolio and harmony between the series of photos in a portfolio. This is not by force but by the inspiration and motivation that Nikos was emitting. I feel so lucky to work with him and with all the other great photographers who have attended. He gave me the direction, inspiration and motivation that I was in need of, now shooting only 35mm and only colour, I feel excitement and joy and cannot wait for another workshop with Nikos to evaluate the improvement (hopefully) together. Now i see 35mm framelines everywhere i look.

The Varanasi workshop was clearly the highlight of my India visit. Nikos’ advice after our first editing sessions that I should use only my 50mm lens and shoot only black and white was very valuable. After that I felt more relaxed and focused and could produce more consistent and better images. After coming home I have re-examined the Varanasi photos and I must say that I am pleased with the results. I would also like to thank for the great company during the workshop. During the daytime each student could work individually with her/his own problems. In the evenings we gathered together to discuss the results. This scheme worked out very well: you could see how the students progressed during the week. I felt that Nikos’ comments, even the critical ones, were to the point and always supportive. A specially memorable evening was when Nicos showed and discussed some of his own iconic images. I felt privileged to see and hear his thoughts on style, photography, art and life in general.

I liked very much not only the editing process but the general discussions we had about photography, and the way you challenged everyone and frankly shared your opinions. In my opinion, the more opinionated, the better. (…) I liked the way you emphasized the idea of creating the portfolio from pictures with a similar approach. I feel I am on the way to www.ontheroad.greloping a style.

I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.

(…) During this workshop, (the) edition pointed clearly that the kind of connection I establish with people and the environment while photographing them reflects on the kind of photography i make. Thus through photography I got an interesting connection with istanbullus, with the city and with myself. In that intense week I went hardly into the search for the purest photographic substance in Istanbul, photographing street scenes the whole days in different neighborhoods with a fixed 35mm in hands and no specific subject or assignment, but the mission to get very few shots, among hundreds, of these very dynamic moments in which things get right in the frame at the right time. At the end of the days, I think the editions had very high standards and at the same time were didatic, with helpful comments and good discussing with the participants – a very stimulating group, with people I really enjoyed meeting. After the workshop, I’m satisfied with the portfolio I made. And feel inspired to keep producing my personal work. Besides, with your edition and coordination the photography workshop potencialized the warm experience I had at my first time in Istanbul. (…) They’ve been very helpful and showed me a different path to follow in my photographic work.

After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought my images were improving and were becoming more interesting. Then, after all the reviews I attended, I saw my pictures and suddenly they were old and ordinary again. I was completely upset. But now I am realizing that day after day and picture after picture, his advices led me to start finding a new way – my own way – to take photos. Ok, probably this is just the beginning, but it’s a good start. Thanks Nikos!

The workshop and Nikos in particular have transformed my outlook as a photographer and will hopefully have a long-lasting impact in my work. I have genuinely appreciated Nikos’ insight and approach. During the workshop he managed to shed valuable light to the next steps needed ahead, in a practical, tangible, results-oriented and implementable manner, yet customised to each participant’s needs. Nikos has a unique way of guiding and helping the participants improve. He can be, at the same time, encouraging and motivating, while remaining ruthlessly honest when pointing mistakes and areas that need further work. Perhaps even more importantly, I am particularly grateful for his generosity in sharing and mentoring. Nikos has been remarkably open and welcoming and succeeded in reaffirming my enthusiasm, not only for photography but especially for documentary photography. I am looking forward to the next workshop and to new explorations.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

“This was my first workshop with Nikos, absolutely a wonderful experience!!! The way the workshop is managed it’s a unique opportunity to improve your photographic skills. At my beginner level, I was looking to improve my visual capacities and tο learn how tο frame my shots: I am definitely more than satisfied, and I will definitely come back to attend more workshops. This unique experience has then been enriched by a fantastic atmosphere and excellent fellows with sharing a lot of information. Overall a great experience, definitely worth and to be soon repeated”

I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!