I really had great time in Istanbul and found the workshop every bit as challenging as I had hoped. The blend of nationalities was great and I think it was a good idea to move the sessions to the middle of the day to allow shooting in better light. I guess the only thing was that removed the social aspect a little as I guess in the evenings we would have had a meal or some beers afterwards and a chance to talk more on a personal level. From my personal perspective, I did find the workshop extremely challenging and I do find it a little hard to force shooting and I did struggle to find photographs that express my thinking. Having said that, this was exactly the reason I came, to be challenged and taken forward in my photographic evolution. I can safely say that since the workshop I am much more demanding of myself and no longer tolerate shots that are safe or just plain nice. I think the workshop facility and location was superb, and I really enjoyed meeting all the guys. Maybe some more reviews of local photographers work would have been good as it’s always nice to see a different perspective. I do hope to make it to some of your future workshops and am even thinking of Istanbul again in December as I love the city so much.

The Trapani, Sicily workshop was the first I had with Nikos. The group was mixed with novice, very amateur and also more experienced photographers. Being an amateur photographer made me feel nervous in the beginning of the workshop. Rather than embarrassed on the first day I was quite happy and ready to go the next day. This feeling was related on how Niko created the environment, how he explained the portfolio and what he wanted from the novice participants in his workshop. The workshop really helped me to understand and feel the street photography and so it paved my path to a kind of photography which I really like. Niko’s does not go out with you and photograph with you, he let your instinct and mind to guide during the day while helps you in the afternoon during which he selects and edit the photos. The way he describes the art of photography was very helpful for every one of us and helped us to grow and to see the world in a different perspective. You always have something to note or keep in mind even if that comment was directed to a more experienced photographer.
“On the Road” helps every photographer to create new goals to achieve and also give to you the critical viewpoint for the photography. 
Another skill that you learn or handle better is the editing and the creation of a portfolio. Every day when you sit with Nikos to see and edit the photo he shows how a portfolio is create and is managed. Or maybe how a picture is edited. I am a black and white photographer and the workshop helped me to give the right tone and contrast for the photo in the editing process. In the end, Niko shows to everyone what he expects from them. Ending my comment I would suggest this kind of workshop not only for the accuracy Niko’s chooses the place, but even more of how he treats the participants (we spend quite a lot time together discussing as a community), how he treats photography and how it expresses and helps you gain at least a new level. Niko’s workshops help you to find a goal and work to achieve it but in the same time it gives to you the feeling of wanting to go to a new one. So, you can show to him if you have mastered the goal he posed before you. Looking forward to catch another wonderful and very helpful workshop with Niko very soon.

(…) This sounds so cliché (…), but this workshop has changed my life! The 35mm has not left my camera and I am really enjoying composing in a way that is more interesting. (…) A few things that you said about my photography really shocked me but shocked me more to realise that you were right… still amazes me that you have made an observation that was so right from looking at my photos alone. Thanks.. In terms of feedback, I think the workshops in the evening were really enjoyable, especially being to learn from other participants’ work and your comments of them. Your help with interesting things to do prior to the workshop was also very helpful. The only thing that I would ask is for you to be even harder with your critiques and provide perhaps some sort of direction as to where each one of us could go…through each evening discussion as well as at the end of the workshop. I think your guidance to each of us is very valuable and we could do with more of it, well I could at least. (…) Not sure where photography is heading for me, but I have been loving every moment of it so far! I have learnt more in Beirut than I have in the last 2 years!

I participated in the workshop in Athens and I was so thrilled about that.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.

“Just walking, seeing and saying nothing and seeing the result at the end of the day. Giving myself to the road and being on the road. Hearing the honest comments Seeing throw a window that dear Nikos opens to my eyes, and exploring my country Even myself more than it. My second workshop. I wait for the next chance”

“This is my third workshop with Nikos and even though I should know what to expect, it was still such an intense journey from agony, elation through awakening, without any bullshit. It was like a much needed spiritual cleansing to expel the bad habits for a simple goal to make a better photograph that’s visually valid. Nikos, thank you for pushing me further – I know my next workshops with you will be just as rewarding.”

The best aspect of Nikos workshop for me was to realize that a good photo can be best produce by liberating oneself from codes and rules. Seeing everyday each participant become visually freer and freer was revealing. Nikos has a passion for images and this workshop was all about sharing with us this passion. We were all motivated and thrilled by everybody’s images, comments and discussion about what makes an image better than others. Nikos gave us freedom, feedback and love for photography beyond imagination. Thank you. It was truly a unique experience.

Words cannot explain the amazing experience you will live during an On the Road Workshop. Nikos is an incredible human being and an inspiring delight. His talent, drive and wonderful spirit will guide you and help you explore photography in a fascinating way. Growth and challenge are two things you can be sure you will obtain. Be ready to have the time of your life! Thank you Nikos, I can´t wait to join this adventure again. 

Here is some feedback on the Oaxaca workshop. Simple and short – the workshop was absolutely amazing. Excellence defined.
The feedback sessions in the evenings were transforming with deep inspiration continuing as a growth journey day by day. I highly appreciate the way Nikos gives feedback and shares his amazing vision and way of seeing, it is clear and to the point, with the beauty of the creative process not being jeopardised. A way of life, how to shoot, when not to shoot, and how to discipline your mind loosing the experienced feeling of time. I definitely left Oaxaca with deep and new inspiration.
Excellent workshop. Amazing atmosphere.
Great workshop set up – with a feeling of freedom in the creative process and flow during the day.
Unique feedback sessions in the evenings with firm and clear communication.
Tailored feedback how to improve day by day Again. Just great. Difficult to describe in words!

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

“I travel to photograph”, Nikos says. This statement made me rethink my purpose for travel. Not only do I want to see and be in the moment, I now strive to capture those feelings in a still image as well, so that I may later find pleasure in viewing it. This is my takeaway from Nikos’ workshop. He has given me a new perspective on travel and a new way to photograph and derive pleasure from it. It’s been some time since our group parted ways in Iran, and yet my thoughts are still suffused with notes from discussions with Nikos. The challenge now, it seems, is how to get into workshop mode and produce quality images without Nikos around. It’s tough. Whether it’s your first workshop or your fourth, Nikos’ methods will challenge you to level-up. Accept his teaching with an open mind, plus a dose of humility, and you will be rewarded with discernment of what is a good photograph, and what is mediocre. I look forward to being On The Road again.

Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.

The Varanasi workshop was clearly the highlight of my India visit. Nikos’ advice after our first editing sessions that I should use only my 50mm lens and shoot only black and white was very valuable. After that I felt more relaxed and focused and could produce more consistent and better images. After coming home I have re-examined the Varanasi photos and I must say that I am pleased with the results. I would also like to thank for the great company during the workshop. During the daytime each student could work individually with her/his own problems. In the evenings we gathered together to discuss the results. This scheme worked out very well: you could see how the students progressed during the week. I felt that Nikos’ comments, even the critical ones, were to the point and always supportive. A specially memorable evening was when Nicos showed and discussed some of his own iconic images. I felt privileged to see and hear his thoughts on style, photography, art and life in general.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

“First time in the Balkans. First time with Nikos. A great experience. While I knew him as an outstanding photographer, I discovered a gentle, honest person. He talks, does not assume. He shares his personal experience, without secrets. He is tough, but not rude. He does not overwhelms you with his skill. And what a wonderful travel companion! My only regret: having to unexpectedly leave a few days earlier”.

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

Thank you for another great workshop. During my week in Athens I believe to have again improved my photographic skills and at the same time was able to acquire important knowledge on how to take pictures in difficult situations, i.e. in this case taking pictures of people having to live under precarious circumstances and taking to the streets. Athens during the financial crisis struck me as a city of strong social distinction with poverty becoming strongly visible in the streets of some areas and on the other hand still keeping its friendly, sunny side for which it also stands. I finally ended up trying to show these contrast in my pictures  ̶ as it seemed to me that focusing on one side only would not show an equitable picture of Athens in the situation of the financial crisis. There is still positive energy certainly among the young. I enjoyed the evening sessions with the other students in the workshop as always pleasant and informative. I am looking forward to the next workshop I will be able to attend.

My third on the road workshop and again another amazing experience. New goals set not only for the workshop but to consider and start tackling when you return home. Nikos simply does not give you a break! Looking at your work, he sets personal goals for each participant and demands to see more in every critique. That is one of Nikos’s major strong points as a teacher along with his contagious passion for photography. With such motivation and challenge, I find myself driven to accept the challenge and push for more. He simply keeps me marching to make the best out of his workshops. Most important I see it better. Having your work compared against other photographers help you see what you need to work on next. You see your points of strength and weakness against theirs and helps to learn and set goals. It was a nice experience to run into other participants that you met in earlier workshops and see how they grew as photographers since the last time you met them. This workshop was the best of the three for the reasons above and for the fact that it was held in Mumbai. For me it was a portrait heaven and almost everywhere we went was a great shooting location. We were also blessed with a group of participants from all over the world that were extremely dedicated to photography and committed to making the best out of this workshop. The most special thing about these workshops is that for a week you get to switch off and escape from everything and think nothing but doing the photography that you want and love. It is just you with your camera on the road. I look forward to join other future workshops with Nikos and highly recommend it as a great learning and fun experience!

With this workshop i finally felt the urge to pay attention to my work, the way to select a photo for a portfolio and harmony between the series of photos in a portfolio. This is not by force but by the inspiration and motivation that Nikos was emitting. I feel so lucky to work with him and with all the other great photographers who have attended. He gave me the direction, inspiration and motivation that I was in need of, now shooting only 35mm and only colour, I feel excitement and joy and cannot wait for another workshop with Nikos to evaluate the improvement (hopefully) together. Now i see 35mm framelines everywhere i look.