…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

I’ve participated in Nikos’ workshops 7 times. It’s never enough. The experience is so enriching that as soon as it is done you find yourself planing for the next one! The Ghana workshop was incredibly fulfilling. Every participant was talented, lots of very good images emerged during the 11 day workshop. Nikos always challenges everybody at many levels. It is very personal. Nikos’ workshop is a journey that gives you the inspiration and direction to find and deepen your personal vision. Nikos is a mentor, an amazing human being who always celebrates good images made during his workshop with joy and passion. He is genuine and sincere. He has a sharp eye for editing. He does not tell you what to do, he does not impose his own style. It’s a common effort. It’s like a visual catharsis. This is why it is so fulfilling to participate in his workshops. It’s all about growing visually in a collaborative and friendly environment. Once you are on the road with Nikos you stay on the road with Nikos because the journey never ends.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

All along this workshop, I’ve learnt and understood many many things, photographically and personally. My vision of photography has considerably changed. After these eight days, I feel really motivated to carry on learning, practicing and enjoying photography. This experience was very fruitful and positive. Moreover, I appreciated that you give a chance to every person. Thank you for all that !

I would like to say how much I enjoyed the Istanbul workshop, from all the photographic advice and guidance that you gave me to the pleasure of exploring the city and walking through areas that I might not have visited on a normal ‘city break’ trip. The maps and descriptions of the various neighbourhoods proved very useful and it gave me a focus on how to structure the day. I always looked forward to the editing sessions in the evening and all the feedback you were able to give. Each day I tried to refine my photography, taking into account what you had said the previous evening. By the end of the workshop I could see my technique improving and I was very happy with the final edited sequence. I feel that the experience was very positive and the effect it has had on my photography is that I have the confidence to get closer to the subject and also to dig a little deeper and not just take the obvious ‘tourist’ type of photograph.

As always, a great workshop, good people and rewarding discussions. First, I will say I really enjoyed Porto as a city. Its’ size was just right, and there were enough interesting areas to get around to – the old town, art museum, food market, the other side of the river and town Gaia, the beaches and the riverside walks. And it was easy to get around with buses and trams – and walking.
Second, I really enjoy to experience and to watch how good you are pedagogically. One little step at a time, go easy, you manage to lift us all a little bit – also the not so experienced. Thank you so much for that!
You do it so well, and discreetly – I think we hardly notice that we learn something, a little at a time. And also always interesting to listen when you tell of your experiences, travels, of the history of photography and the great photographers in the past.
I come home happy, having learned a lot. Now looking at my photos with more critical eyes, knowing maybe how to do it better next time.

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

I have been on several workshops with Nikos. I keep coming back because, not only Nikos is an amazing person, but he is also a great teacher. Nikos manages to get the best out of all of us. The transformation of some of the participants is just amazing. I like the simple words he uses to “critique” images, his directness and honesty. He always challenges us to do better every day. He is very engaged in editing our photos whatever the level of the participants. I also love coming to his workshops as I always find the attendees friendly and interesting people. With a lot of them, we have continued to keep in touch and communicate regularly. His workshops are a truly unique experience. 

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

I’ve learnt loads of things and I met very nice people who hopefully i’ll see again. I improved my way to get close to the city people, who allowed me to capture intimate moments. This workshop also helped me in how to become honest to myself taking pictures and how to capture the humanity of the moment. Anyway, my conclusion is that I knew less than I thought, which motivates me a lot. Now I see how to work. Thank you for show me things that its no possible to find in books and to guide me in the road of my way of life, photography.

For me as a professional photojournalist, to be with Nikos takes me back to photography where surprise and curiosity are key elements, instead of telling the story as specific as possible – as many editors seek today. Working in a fast moving newsflow, photojournalism needs surprise to stop readers, and Niko’s photography does exactly that. It intrigues us and plays with our imagination. It moves us from the world of realism to the world of surrealism.
And a workshop with Nikos is a vital reminder of photography at its best: to show us the world in a way we don’t see it ourselves. And to be formulated by a teacher, not only extremely talented, but also a friendly and charismatic travel companion.
I’m already looking forward to my next workshop with Nikos Economopoulos.

It worked — or as Nikos said “It always works”. I needed three days to throw everything over board I thought to know about photography. How to select backgrounds, how to use the 35mm lens, how to lead the eye of the beholder, how to avoid clichees, how to get closer, how to recognize a good photograph and how to find my own style. Nikos has something like a built-in compass for good photography which always functions. It was a pleasure to learn from him, to talk with him about his philosophy and to see his passion for beautiful visual events. Even when he felt sick and his face looked as grey as some of my worse photographs he got excited and touched by every great picture he saw at our group meetings in the evenings. He is such a nice and open guy and it seems he has also a talent to attract like-minded people to his workshops. I felt very welcome from the first moment. The Thailand workshop was my first one with him. But for sure not the last..

I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.

This is the second time I joined Nikos workshop and it keeps getting better and better. What amazes me about Nikos is the joy good images gives him. He is always excited when we achieve good pictures. He inspires us to enjoy the search for better images. Looking at people, faces, expressions, positions, backgrounds, and light becomes more important and somehow different from before. At the end, everybody is enjoying the challenges of producing interesting images. Nikos ‘s workshop is not a commercial course to make people believe that taking good pictures is easy and that being a good photographer is easy too. This workshop is for people who are passionate about photography and want to www.ontheroad.grelop a personal approach and style. It is hard because ultimately you realize that you have to find whatever your are looking for by yourself. At the end it is all worth it and incredible rewarding. I wish I had had Nikos as a teacher 20 years ago. No body has taught me as much as him in one week. It is amazing. Thank you again Nikos for being our photographic inspiration and for sharing your knowledge with us. See you in Iran!

I guess the first thing I would like to say is that I really enjoyed the whole experience. I liked the relaxed structure of the workshop, it was flexible and we were free to make our own plans for the day and to shoot pretty much whatever we chose. (…) In terms of the effect it had on my work, I feel I learned a lot and I feel more confident in my photography as a result. I don’t show many people my work, but all my friends and family have seen my Istanbul folio.

The workshop in Lisbon was very enlightening for me, since I don’t normally do this kind of photography. After sharing these days with Nikos and the other participants, I find myself noticing things more, actually “seeing” people and their interaction with each other and the immediate environment. It was an eye opener and this kind of photography is something that is gradually becoming more enticing and enjoyable for me. Besides, the way Nikos leads the participants gives them complete freedom to experiment and achieve durable results, while gently guided by a master towards better and better images and a keener vision. He hides nothing from the participants and genuinely strives to give everyone an unforgettable experience. Nikos Economopoulos, thank you very much for a very enjoyable week.

“It’s a unique opportunity to push yourself a step further in photography. Challenge yourself! Leave all you know (or might know) about photography behind you. Face the reviews in the evenings and go out the next morning and try to do better than the day before. Thats what I did and since then I know that good photography is more then just colors, lines, structures and shapes. I look forward going to the next workshop with Nikos and to try to push myself once again a step further.”