This workshop provided me with a new prism at taking photographs including more sentiment and injecting more thought and content to my work. As a newcomer to “Street photography”, the workshop allowed me to quickly get into a pace and experiment with this new to me approach, producing some fair results quite quickly. Invaluable was the fact that I gained a lot from the positive evaluation by Nikos of my other coworkers’ work. This evaluation demonstrated to me things to avoid once I get further down in my own journey and also experience paradigms of good quality work that I could try and experiment with. Things that take ages to discover, are presented to you during one week’s teamwork. Absolutely a positive experience with a lot of new friends that I really enjoyed!

I have been an avid photographer for the past few years and moved to Greece from New York only a few months ago. Greece is my homeland but has experienced many changes during my 9 years of absence and I am eager to use my camera to tell the present story. Attending the workshop was a no brainer, being on the spot and needing a serious incentive to get me on the streets of Athens. What I got in return was much more than I had bargained for!!! I met Nikos and discovered a person who went far beyond small technical issues, discussing what photography is really all about and using his own experiences as examples. The topics were endless and his willingness to answer every question and clarify every blurry notion was remarkable. I was very impressed with his openness and how friendly and giving he was. Sharing our knowledge and our experiences is most important and it is what helps us and those around us grow. And Nikos certainly does that. Furthermore, I was very happy that Nikos encouraged participants to go off on their own to shoot. We need to www.ontheroad.grelop our own vision and make our own mistakes. In short, thank you Niko for an amazing week and I look forward to future workshops and more guidance from you!

Dear Nikos,
I wanted to take a moment to express my gratitude for all of the guidance and support you have provided me as a www.ontheroad.greloping photographer.
Your expertise in composition and storytelling has truly helped me to www.ontheroad.grelop my photographic eye and to think more deeply about the messages and stories that can be conveyed through photography.
I have appreciated very much, the way that you take the time to review my work, editing each picture and explaining every detail. Whether we have met in person during workshops or through Zoom sessions, your feedback has always been gentle yet constructive, pointing me in the right directions to further www.ontheroad.grelop my skills.
You have taught me that every picture must stand on its own in terms of composition and that each one should tell a complete story.
Your own masterful ability to create complex situations or to focus on a single subject always triggers empathy and astonishment in the viewer, and I am so grateful for the way you have taught me, to hopefully do this in my own work.
Thank you for being such an extraordinary teacher and mentor, and for sharing your wisdom and expertise with me. I am grateful to have had the opportunity to learn from you and to grow as a photographer under your guidance.
Lookin forward to continue our journey together.
All the best

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

Honestly Nikos – your workshops are really amazing. Again, I’m so taken with your warmth and generosity, it’s something that is not all that common in people and really a gift to your “students”. You are really inspiring with how you speak about photography, not only in terms of composition, framing, being careful about the light, but also in terms of having feelings for the people or things that you’re photographing. It has really made me think a little differently about how and what I would photograph.
I also wanted to mention how much I enjoy meeting the other participants and that so many of the participants are such talented photographers, it makes the editing sessions so informative and enjoyable. Watching you edit, process and discuss the photos are really a good learning experience for me.

I guess the first thing I would like to say is that I really enjoyed the whole experience. I liked the relaxed structure of the workshop, it was flexible and we were free to make our own plans for the day and to shoot pretty much whatever we chose. (…) In terms of the effect it had on my work, I feel I learned a lot and I feel more confident in my photography as a result. I don’t show many people my work, but all my friends and family have seen my Istanbul folio.

Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

For me the Istanbul workshop was, above all, a great chance to see how an exceptional photographer such as Nikos looks at, selects and talks about photographs. Nikos was keen to understand our photographs first and then offered ways to improve them. While doing so, he was always up-front and honest but never condescending or imposing. I felt that Nikos’ attitude towards us, the participants, and our photography was similar to the compassion one can see in his own photography in that, he makes sure that no one is ever stripped off of their dignity. His comments were not only related to the formal result but also what goes on before and during shooting. The workshop was, as others have said, intense and demanding, and I enjoyed every minute of it.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

Every evening, after a busy day of wandering the streets and shooting, I was rewarded with the pleasure of looking at the interesting and beautiful pictures of my fellow students in the workshop. In doing so and by Nikos‘ wonderful and empathetic teaching and the ensuing discussions, I learned so much in terms of visual perception and the transformation into a good picture that I can see more clearly now than ever before the direction, in which I want to move and on what I need to focus on. Thank you, Nikos for yet another enriching experience and thanks to all of you for the pleasant time we shared during the week in Istanbul. It was marvelous!

Ok..it was really my pleasure to meet you and be part of the Damascus workshop.. A really nice experience and a good start for myself and my photos. The workshop has encouraged me to become better and learn more … In the one week I learned from your comments and your suggestions what I should look for and what to avoid. You gave me directions for finding my own style and to experiment on that. Now being back inCyprus, believe it or not, I feel like a “new ” person. I know this might sound strange but the one week that I spent time with myself and my camera and later having your comments about my work made me fall in love once again with the world of photography, keep taking photos, love the people and try more.

“First time in the Balkans. First time with Nikos. A great experience. While I knew him as an outstanding photographer, I discovered a gentle, honest person. He talks, does not assume. He shares his personal experience, without secrets. He is tough, but not rude. He does not overwhelms you with his skill. And what a wonderful travel companion! My only regret: having to unexpectedly leave a few days earlier”.

This is my third workshop with Nikos. It has been very helpfull to me in order to discover what kind of photography I want to do in the near future and to begin to www.ontheroad.grelop my own style. I think Turkey is a great place to take pictures and I have the intention to go back several times and make a solid photographic portfolio of the country. The atmosphere, participants, place…all have been great.

This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or, at least, I have begun to look for them in my pictures.

In just one week much of the information I had accumulated in a previous photo course, just clicked and started to make more sense. I loved your workshop. You made me see Istanbul and it’s people very differently. I cherish the opportunity to find out the stories behind some of your great works. Plus I discovered with amazement the incredibly humble and warm person behind the fascinating photographs that I had grown to admire. And as a bonus, you introduced us to Ara Guler who even signed books for us. Thanks, looking forward to seeing you again. From now on will always be looking for flying crocodiles..

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

Most recently, I participated in the Argentina/Uruguay workshop with NIkos. This was my third workshop with him. Each one has been as different as the countries we visit, our photography levels, and the wonderful people who participate in them. What is certain each time, is the positive photographic and personal experience. Nikos doesnt hold your hand, tell you where to go, or how to photograph. He encourages you to find that yourself and you do. You can count on his encouragement and guidance but the search is yours as you will www.ontheroad.grelop your own style and your own way of being a photographer. The daily evening meetings are fantastic, everyone shares their work from that day and the conversation is very enriching. Nikos enthusiasm to see everyones work is wonderful, he is interested and excited about our images as if they were his own. This contagious enthusiasm and his amazing constructive criticism becomes our best tool and guidance for the next day. Nikos workshops are not for the faint of heart, they are a lot of hard work, discovery, physical and emotional effort and incredibly rewarding. I can hardly wait for the next one. I am amazed at my growth as a photographer as a result of Nikos’ workshops, not to mention what a wonderful way this is to see the world and become part of it. Thank you Nikos!

It worked — or as Nikos said “It always works”. I needed three days to throw everything over board I thought to know about photography. How to select backgrounds, how to use the 35mm lens, how to lead the eye of the beholder, how to avoid clichees, how to get closer, how to recognize a good photograph and how to find my own style. Nikos has something like a built-in compass for good photography which always functions. It was a pleasure to learn from him, to talk with him about his philosophy and to see his passion for beautiful visual events. Even when he felt sick and his face looked as grey as some of my worse photographs he got excited and touched by every great picture he saw at our group meetings in the evenings. He is such a nice and open guy and it seems he has also a talent to attract like-minded people to his workshops. I felt very welcome from the first moment. The Thailand workshop was my first one with him. But for sure not the last..