participants’ work
The photographs presented in this section are the final outcome of each workshop.
Their creators range from professional photographers to people who may have just learned how to hold a camera.
The challenge in these workshops is how to bring out each one’s unique glance.
Click on each participant’s name to view the portfolio full-screen.
Michael Barnes, UK
I would like to say how very much I valued Nikos’ perceptive, insightful and supportive comments. While just starting out in photography the workshop was a really valuable guide on how I should be thinking about it. I really liked the emphasis on looking for the humanity in the image, the unusual, the abnormal, the avoidance
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I would like to say how very much I valued Nikos’ perceptive, insightful and supportive comments. While just starting out in photography the workshop was a really valuable guide on how I should be thinking about it. I really liked the emphasis on looking for the humanity in the image, the unusual, the abnormal, the avoidance of the simply descriptive, the banal, the obvious and cliché. Not to mention the need to be very selective, paying attention to backgrounds, the value of geometry in composition, finding interesting elements and locations, the need to concentrate on simple forms and shapes and avoid clutter. The workshop was a genuinely supportive and helpful experience.
So thank you Nikos for lots of really helpful advice and I hope to see you on future workshops.
So thank you Nikos for lots of really helpful advice and I hope to see you on future workshops.
Mikael Laurson, Finland
The Varanasi workshop was clearly the highlight of my India visit. Nikos’ advice after our first editing sessions that I should use only my 50mm lens and shoot only black and white was very valuable. After that I felt more relaxed and focused and could produce more consistent and better images. After coming home I have re-examined
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The Varanasi workshop was clearly the highlight of my India visit. Nikos’ advice after our first editing sessions that I should use only my 50mm lens and shoot only black and white was very valuable. After that I felt more relaxed and focused and could produce more consistent and better images. After coming home I have re-examined the Varanasi photos and I must say that I am pleased with the results. I would also like to thank for the great company during the workshop. During the daytime each student could work individually with her/his own problems. In the evenings we gathered together to discuss the results. This scheme worked out very well: you could see how the students progressed during the week. I felt that Nikos’ comments, even the critical ones, were to the point and always supportive. A specially memorable evening was when Nicos showed and discussed some of his own iconic images. I felt privileged to see and hear his thoughts on style, photography, art and life in general.
Korina Gialidou, Greece
I participated in the workshop in Athens and I was so thrilled about that. Nikos Economopoulos is a unique and authentic photographer and an inspired teacher. He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life
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I participated in the workshop in Athens and I was so thrilled about that.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.
Luis Ushirobira, Brazil
(…) During this workshop, (the) edition pointed clearly that the kind of connection I establish with people and the environment while photographing them reflects on the kind of photography i make. Thus through photography I got an interesting connection with istanbullus, with the city and with myself. In that intense week I went hardly into
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(…) During this workshop, (the) edition pointed clearly that the kind of connection I establish with people and the environment while photographing them reflects on the kind of photography i make. Thus through photography I got an interesting connection with istanbullus, with the city and with myself. In that intense week I went hardly into the search for the purest photographic substance in Istanbul, photographing street scenes the whole days in different neighborhoods with a fixed 35mm in hands and no specific subject or assignment, but the mission to get very few shots, among hundreds, of these very dynamic moments in which things get right in the frame at the right time. At the end of the days, I think the editions had very high standards and at the same time were didatic, with helpful comments and good discussing with the participants – a very stimulating group, with people I really enjoyed meeting. After the workshop, I’m satisfied with the portfolio I made. And feel inspired to keep producing my personal work. Besides, with your edition and coordination the photography workshop potencialized the warm experience I had at my first time in Istanbul. (…) They’ve been very helpful and showed me a different path to follow in my photographic work.
Margreeth Vroom, Netherlands
The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was
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The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.
Lars Just, Danemark
Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of
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Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.
Anja Bruehling, Germany
“Loved loved the workshop. Nikos is a great teacher. The way he offers feedback is fantastic, it helps you grow from day to day and see things in a different way from day to day. Really liked the daily edit session and learned a lot from looking at each other’s work. It was an honor
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“Loved loved the workshop. Nikos is a great teacher. The way he offers feedback is fantastic, it helps you grow from day to day and see things in a different way from day to day. Really liked the daily edit session and learned a lot from looking at each other’s work. It was an honor to be part of a group of so talented photographers. Hopefully will be able to join another workshop in the near future.”
Rose Vandepitte, Belgium
Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and
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Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.
Aurel Cepoi, Moldavia
Nikos, thank you for your patience and effort. It was a pleasure for me to work with a legendary photographer. Keep working and stay in shape. Humanity needs you.
Matteo Daidone, Italy
Those few seconds you waste thinking too much about whether to take that picture or not. This is what you learn to get rid of when joining an On the Road workshop. In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the
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Those few seconds you waste thinking too much about whether to take that picture or not. This is what you learn to get rid of when joining an On the Road workshop.
In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the flow. And you do it because the camera eventually becomes your main means of communication. It’s no more an object you use to do something but, instead, it turns into an essential part of the creative process. You start feeling the images through the viewfinder and not just seeing them.
And, as a matter of fact, this is really good fun!
In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the flow. And you do it because the camera eventually becomes your main means of communication. It’s no more an object you use to do something but, instead, it turns into an essential part of the creative process. You start feeling the images through the viewfinder and not just seeing them.
And, as a matter of fact, this is really good fun!
Francis Chia, Singapore
I didn’t know what to expect when I sign up for this workshop. As this was a highly recommended workshop by a friend of mine I went for with the hope that it will change my style of photography and help me photograph better and understand the dynamics of what makes a picture different. I
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I didn’t know what to expect when I sign up for this workshop. As this was a highly recommended workshop by a friend of mine I went for with the hope that it will change my style of photography and help me photograph better and understand the dynamics of what makes a picture different. I got more than I bargained for as each day was challenging to say the least. There were days when I struggled with my preconception of what makes a good photos and this prevented me from doing my best. It was when I was told by Nikos to “take photos like a child” did it liberate me and improved my style and brought me up to a different level. For this I am very grateful as it was a very important lesson for me. To be brought to a different level of understanding and photography and I leave the workshop in appreciation to my fellow photographers who have taught me a few things just by looking at their pictures and to Nikos for his invaluable advice.
Jan Gott, Austria
Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will
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Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will be putted to the test, if you have sweated enough. On some days life gifts you with one or two good photographs, but on some not a single one. So the next morning you’ll head out again and demand your luck. And at the end of a week or two with Nikos you make your way home safe in the knowledge that you have achieved and experienced something unique.
Lei Davis, Singapore
During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic
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During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic someone else’s style. This had a profound effect on me. I felt “liberated” to take photos of moments that speak to me instead of photos that I think would be appreciated by others. I felt I was “allowed” to explore my own style and express myself through photography. I am normally shy and afraid of people but I slowly opened up and pushed myself with the help of Nikos’ and the group’s guidance and encouragement. It also helped that Athens has a unique character and most Greek people are charming, open, and kind – it was challenging yet inspiring to photograph there. The workshop changed how I see photography in my life and gave me a clearer sense of where I want to take my photography next.
Jan Gott, Austria
“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran
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“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran with you guys -)”
Duygu Aytac, Turkey
For me the Istanbul workshop was, above all, a great chance to see how an exceptional photographer such as Nikos looks at, selects and talks about photographs. Nikos was keen to understand our photographs first and then offered ways to improve them. While doing so, he was always up-front and honest but never condescending or
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For me the Istanbul workshop was, above all, a great chance to see how an exceptional photographer such as Nikos looks at, selects and talks about photographs. Nikos was keen to understand our photographs first and then offered ways to improve them. While doing so, he was always up-front and honest but never condescending or imposing. I felt that Nikos’ attitude towards us, the participants, and our photography was similar to the compassion one can see in his own photography in that, he makes sure that no one is ever stripped off of their dignity. His comments were not only related to the formal result but also what goes on before and during shooting. The workshop was, as others have said, intense and demanding, and I enjoyed every minute of it.
Negar Yaghmaian, Iran
I met Nikos last April in Iran’s workshop for the first time.We traveled for ten days and that trip changed my perception of photography. He taught me how to go beyond the limits and break strict rules and let creativity inspire me to create my own photography style. After 7 months,I decided to participate in another workshop
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I met Nikos last April in Iran’s workshop for the first time.We traveled for ten days and that trip changed my perception of photography. He taught me how to go beyond the limits and break strict rules and let creativity inspire me to create my own photography style. After 7 months,I decided to participate in another workshop and Varanasi was a great choice for me. The city was the most amazing place I’ve ever visited and if it wasn’t for the workshop, I might have never gone there. We had enough time during the day to see the city and the special ceremony which was held in that time. And in the evenings,reviewing participant’s photos encouraged me to explore the city more in the next day.
Ora Buerkli, Switzerland
The workshops with Nikos are a pleasure. I really appreciate the structure which gives me freedom to structure my day and ample feedback and learning in the evenings. Nikos’ feedback is a wonderful combination of straight shooting and kindness. I learned a lot and will certainly attend again.
Antonis Kelaidis, Greece
The workshops of Nikos Economopoulos are a great teaching experience. For him there is no “must” or “don’t”. I was suddenly confronted with all my past choices in a way that forced me to go backwards and look for all those things that I had previously discarded in order to re-assess them. At least I
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The workshops of Nikos Economopoulos are a great teaching experience. For him there is no “must” or “don’t”. I was suddenly confronted with all my past choices in a way that forced me to go backwards and look for all those things that I had previously discarded in order to re-assess them. At least I now feel closer to the truth. And I thank him for this and for everything else.
Elena Michael, Cyprus
Ok..it was really my pleasure to meet you and be part of the Damascus workshop.. A really nice experience and a good start for myself and my photos. The workshop has encouraged me to become better and learn more … In the one week I learned from your comments and your suggestions what I should
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Ok..it was really my pleasure to meet you and be part of the Damascus workshop.. A really nice experience and a good start for myself and my photos. The workshop has encouraged me to become better and learn more … In the one week I learned from your comments and your suggestions what I should look for and what to avoid. You gave me directions for finding my own style and to experiment on that. Now being back inCyprus, believe it or not, I feel like a “new ” person. I know this might sound strange but the one week that I spent time with myself and my camera and later having your comments about my work made me fall in love once again with the world of photography, keep taking photos, love the people and try more.
Cecile Barou, France
All along this workshop, I’ve learnt and understood many many things, photographically and personally. My vision of photography has considerably changed. After these eight days, I feel really motivated to carry on learning, practicing and enjoying photography. This experience was very fruitful and positive. Moreover, I appreciated that you give a chance to every person. Thank
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All along this workshop, I’ve learnt and understood many many things, photographically and personally. My vision of photography has considerably changed. After these eight days, I feel really motivated to carry on learning, practicing and enjoying photography. This experience was very fruitful and positive. Moreover, I appreciated that you give a chance to every person. Thank you for all that !



























































