Working with Nikos in Istanbul was personally an eye-opener for me. His insight and way of seeing changed my entire approach to photography. If you want to take your photography to the next level and make meaningful images I highly recommend his workshops for you. This was my first workshop with Nikos and he impressed me so much that I’m hoping to repeat someday soon if time and work permits. Thank you, Nikos, for your patience and sharing your vision with me!

First I think anyone who wants to travel and learn to be a better photographer should take at least one of Niko’s workshops. When I came back from Cuba I felt that I really knew Havana and interacted with so many people (even with my non-existent Spanish) and it was so amazing to feel part of the city, not just a tourist. I have the travel bug now and I would never travel any other way again.
Nikos, In your workshop, the messages that you have about photography are so important for anyone who is interested in taking better photos. They are in my head constantly. Visually valid is such a hard thing to put into words but I am striving to find that more and more in my photos. You really push people to dig deeper and find something more in their photography (but in the nicest way).
And also I want to say how much I appreciated your generosity. It’s not very often that I come across people as kind and giving as you are, from your knowledge with photography – taking photos, editing, post processing, you shared as much as you could. You even shared your sandwich with me on the first day!
And also I am really interested in doing a master class but I have to save up more before I can. And hopefully I can do another workshop in the future but this time I will be much more prepared for the adventures!
Thanks again Nikos!!!

In Cuba I had the pleasure of meeting lovely new participants and others that I had seen before. 70% of the participants had already attended other workshops with Nikos. There must be a reason why we come back! After three workshops that I attended I discovered that Nikos is still able to guide me without telling me much but with slight hints that help me realize the direction to follow. I consider that’s the great ability of a good “mentor”, without showing me the way but by focussing me back in track. It’s always a pleasure to see in every meeting how our work gets transformed and how we all manage at the end to have a good body of work. Thank you, Niko, always looking forward to a new adventure with you.

“The Istanbul workshop was my first one with Nikos and it was undoubtedly a great experience. Nikos’ comments and guidelines during the editing sessions were so much appreciated and eye opening for the never ending search for good photos. The group was very interesting as well and I learned so much not only from the comments of my photos but also from others. Nikos’ feedback was always very constructive and he always pushed everybody a step up trying to make from us better photographers. Thanks Nikos..”

It was a great trip and although I worked really hard, I still had a lot of fun wandering the streets and trying to hone my eye.
It seemed to me that Nikos explained more in this workshop (as compared to the others I’ve taken with him) and I think that is a good thing. Even when it’s something that we think we know, it is always good to be reminded and guided. I really enjoyed hearing his thoughts on so many aspects of photography and I personally needed a nudge in being reminded to look at the work of the great photographers. I had slacked off in that department over the last few months. I also love how he meets each student at his/her level and encourages them.
And, as usual, what I learned will continue to resonate with, and direct, me for months.

It all sounds not enough when I think of the incredible two weeks that I spent traveling with Nikos to Nepal and India. Those two weeks were filled with beautiful moments captured by all the participants, all inspiring each other and supporting our effort and common goal. We all bonded beautifully and hopefully created life-long friendships. The workshops are demanding but it is through the effort and hard work that we achieve results that we can be proud of. Nikos pushed each participant to create the best work possible and I think that the results speak for themselves. I returned home feeling inspired, stronger as a photographer and as a person. I look forward to traveling with Nikos to Ethiopia and india in 2015!

My name is Seungwoo Chae. I’m working as a photographer for a newspaper in Korea. I was feeling that something was missing in my photography. I wanted to know what I needed. Consequently, it was great idea to participate to Nikos’ workshop. He told me and showed me what was ‘photographic’. I felt to return to beginning. I think I could start again.

Thank you again for that week in Istanbul. I had a realy good time. All was great, the workshop and the city. At the beginning, when you saw my previous work, i received “a bucket of cold water on my head”. And that was exactly what i needed. My aproach to photograhy has changed totally. The way I look at photography now is more mature. During a week spent at the workshop i feel i achieved something I’m proud of. The only bad thing is i start loving this city and now I’m planing to go back there and do some more work.. Once more big thanks for all.

I would like to say how much I enjoyed the Istanbul workshop, from all the photographic advice and guidance that you gave me to the pleasure of exploring the city and walking through areas that I might not have visited on a normal ‘city break’ trip. The maps and descriptions of the various neighbourhoods proved very useful and it gave me a focus on how to structure the day. I always looked forward to the editing sessions in the evening and all the feedback you were able to give. Each day I tried to refine my photography, taking into account what you had said the previous evening. By the end of the workshop I could see my technique improving and I was very happy with the final edited sequence. I feel that the experience was very positive and the effect it has had on my photography is that I have the confidence to get closer to the subject and also to dig a little deeper and not just take the obvious ‘tourist’ type of photograph.

For me as a professional photojournalist, to be with Nikos takes me back to photography where surprise and curiosity are key elements, instead of telling the story as specific as possible – as many editors seek today. Working in a fast moving newsflow, photojournalism needs surprise to stop readers, and Niko’s photography does exactly that. It intrigues us and plays with our imagination. It moves us from the world of realism to the world of surrealism.
And a workshop with Nikos is a vital reminder of photography at its best: to show us the world in a way we don’t see it ourselves. And to be formulated by a teacher, not only extremely talented, but also a friendly and charismatic travel companion.
I’m already looking forward to my next workshop with Nikos Economopoulos.

“Ethiopia was my second workshop with Nikos, at the end of each workshop I wish to be everlasting. Being in photographically gorgeous places with fantastic people in group and of course Nikos’s pragmatic approach to photography was a wonderful experience. I fell i made a big step up as a photographer. I would like to thank Nikos not only for his marvelous mentorship and guidance but also for his friendship. Looking forward to next workshop with a big enthusiasm.”

“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran with you guys -)”

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

Dear Nikos,
I wanted to take a moment to express my gratitude for all of the guidance and support you have provided me as a www.ontheroad.greloping photographer.
Your expertise in composition and storytelling has truly helped me to www.ontheroad.grelop my photographic eye and to think more deeply about the messages and stories that can be conveyed through photography.
I have appreciated very much, the way that you take the time to review my work, editing each picture and explaining every detail. Whether we have met in person during workshops or through Zoom sessions, your feedback has always been gentle yet constructive, pointing me in the right directions to further www.ontheroad.grelop my skills.
You have taught me that every picture must stand on its own in terms of composition and that each one should tell a complete story.
Your own masterful ability to create complex situations or to focus on a single subject always triggers empathy and astonishment in the viewer, and I am so grateful for the way you have taught me, to hopefully do this in my own work.
Thank you for being such an extraordinary teacher and mentor, and for sharing your wisdom and expertise with me. I am grateful to have had the opportunity to learn from you and to grow as a photographer under your guidance.
Lookin forward to continue our journey together.
All the best

Being part of the On The Road Workshop was a unique experience for me. Spent 7 days in Istanbul dedicated to photography, shooting during the day and editing at night with your opinion making my thoughts about photography and what I was doing move to another level. I have learned a lot by listening many times what makes a good picture (and what was missing in ours!), seeing and talking about great pictures and photographers. It was also great to hear your vision of modern photography, social media and always have in mind why we are making photos. I definitely will be part in another one!

 I would like to say how very much I valued Nikos’ perceptive, insightful and supportive comments. While just starting out in photography the workshop was a really valuable guide on how I should be thinking about it. I really liked the emphasis on looking for the humanity in the image, the unusual, the abnormal, the avoidance of the simply descriptive, the banal, the obvious and cliché. Not to mention the need to be very selective, paying attention to backgrounds, the value of geometry in composition, finding interesting elements and locations, the need to concentrate on simple forms and shapes and avoid clutter. The workshop was a genuinely supportive and helpful experience.
So thank you Nikos for lots of really helpful advice and I hope to see you on future workshops.

Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ?
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.