First of all, I am very happy to know a person like Nikos. Even if we worked until late hours, I enjoyed every minute of it.
I guess my adventure of photography will be divided into 2 before Nikos and after Nikos and I am very excited to use what I learned from Nikos on my photography.

No doubt about it, a workshop with Nikos is an extraordinary experience. To all potential participants: feelings of incompetence and dread are not uncommon during the first 2 days, no matter your photographic level. Then the magic happens: Nikos’ unparalleled expertise, judgement, and above all humanity come to the fore – inspiring and fostering better and better work from all participants as the days pass. The honest and down-to-earth approach which characterizes Nikos simply ensures that, at the end, regardless of level and interests, you will feel and act like a better photographer. The result: a portfolio to be proud of, a fresh ‘eye’ and energy for all future photographic endeavours, a new group of friends you can learn from, and a profound sense of belonging to a dispersed yet resourceful photographic community that is On the Road workshops.

The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..

I would like to express my gratitude to Nikos for being not only an attentive and demanding photography mentor, but also for being a humble, caring and infinitely friendly person. It was always a pleasure for us to share with him not only ideas about photography, but also numerous stories about his life and adventures. I feel that in that week my photographic skills moved to a completely new level. The first few days have been a bit of a strugle as I tried to implement Nikos’ technical suggestions and made sure I really followed his advice, but at the end the magic happened and I felt like my vision had changed once and forever.

Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ?
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

The workshop and Nikos in particular have transformed my outlook as a photographer and will hopefully have a long-lasting impact in my work. I have genuinely appreciated Nikos’ insight and approach. During the workshop he managed to shed valuable light to the next steps needed ahead, in a practical, tangible, results-oriented and implementable manner, yet customised to each participant’s needs. Nikos has a unique way of guiding and helping the participants improve. He can be, at the same time, encouraging and motivating, while remaining ruthlessly honest when pointing mistakes and areas that need further work. Perhaps even more importantly, I am particularly grateful for his generosity in sharing and mentoring. Nikos has been remarkably open and welcoming and succeeded in reaffirming my enthusiasm, not only for photography but especially for documentary photography. I am looking forward to the next workshop and to new explorations.

With this workshop i finally felt the urge to pay attention to my work, the way to select a photo for a portfolio and harmony between the series of photos in a portfolio. This is not by force but by the inspiration and motivation that Nikos was emitting. I feel so lucky to work with him and with all the other great photographers who have attended. He gave me the direction, inspiration and motivation that I was in need of, now shooting only 35mm and only colour, I feel excitement and joy and cannot wait for another workshop with Nikos to evaluate the improvement (hopefully) together. Now i see 35mm framelines everywhere i look.

“Ethiopia was my second workshop with Nikos, at the end of each workshop I wish to be everlasting. Being in photographically gorgeous places with fantastic people in group and of course Nikos’s pragmatic approach to photography was a wonderful experience. I fell i made a big step up as a photographer. I would like to thank Nikos not only for his marvelous mentorship and guidance but also for his friendship. Looking forward to next workshop with a big enthusiasm.”

Ethiopia was my 4th workshop and i feel like it is already more than a workshop but seeing a good friend, travelling around and having good time. It’s more like learning more about life not only photography. So if anybody still have doubts about attending one, go, be yourself and let Maestro show you what you actually are.

The workshop was a great experience for me and I indeed agree that it brought together people who otherwise probably would have never met. And for me, that is what life is all about! (…) The number of people participating in the workshop was perfect. I think the small group is essential to having the opportunity to sit together and give enough time to each person to evaluate and discuss his or her photos. I liked the right mix of freedom and direction. (…) I really feel that I got to know the many faces of the city with its many diverse photographic opportunities. I think presenting other photographers’ work and meeting local photographers contributed to the quality of the workshop. Your honesty and way of critique was constructive and helpful. I feel that I walked away from the workshop with specific ‘phrases’ that I will think about in the future when photographing. (…) Overall, while it might be quite obvious, I learned that photography is very hard work and that you have to take many pictures to have only a few good ones. In the past, I think that taking lots of crappy pictures often discouraged me to go on. This workshop taught me what to look for and what elements in a shot make a good photograph. I also think that I became more comfortable to connect to people through photography. Before this workshop I sometimes felt that I was in a way ‘stealing’ pictures, but when you share a cup of tea with some fishermen and they let you photograph them it feels that our paths have crossed and both sides gave something to the moment/experience. I was inspired to learn more about photography and then focus on a specific project where I can photograph with a specific aim.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

Dear Nikos,
I wanted to take a moment to express my gratitude for all of the guidance and support you have provided me as a www.ontheroad.greloping photographer.
Your expertise in composition and storytelling has truly helped me to www.ontheroad.grelop my photographic eye and to think more deeply about the messages and stories that can be conveyed through photography.
I have appreciated very much, the way that you take the time to review my work, editing each picture and explaining every detail. Whether we have met in person during workshops or through Zoom sessions, your feedback has always been gentle yet constructive, pointing me in the right directions to further www.ontheroad.grelop my skills.
You have taught me that every picture must stand on its own in terms of composition and that each one should tell a complete story.
Your own masterful ability to create complex situations or to focus on a single subject always triggers empathy and astonishment in the viewer, and I am so grateful for the way you have taught me, to hopefully do this in my own work.
Thank you for being such an extraordinary teacher and mentor, and for sharing your wisdom and expertise with me. I am grateful to have had the opportunity to learn from you and to grow as a photographer under your guidance.
Lookin forward to continue our journey together.
All the best

I’ve been thinking the past two weeks, trying to re-evaluate my photos with a better, more critical eye. Seeing how you evaluate each photo, examining each element, their relation to each other, and how they come together to make a photograph changed the way I look at photographs now. And I think this is what I gained most from the workshop: I can already see that your comments were pretty much spot on about the portfolio I presented, but I’m still a long ways from being a decent editor. I’ve already started heavily studying the works of other photographers and I’ll probably do a re-edit of that portfolio in six months to see how much I’ve progressed. The other benefit from the workshop was that I’m more focused in shooting. You saw this change during the course of the week, so I don’t think I need to elaborate more. Now I just need to work harder to make good photos. (…) Completely changing my photography in a week is almost impossible, but I think you’ve pointed me in the right direction. The real benefits of the workshop will come months from now if I follow through on two things:

learn to recognize a good photo and
put what makes those good photos good into my photos (but not in a way that I’m copying).

It was a fun and helpful week. I’ll work to make better photos now!

Two words about something I don’t understand. About something that has been in me for over a decade. A tale that I had made up in my mind (…) In September 2009, I packed two changes of clothes dress and two cameras and came to Istanbul. Expectations? Countless. Reservations? Even more. ‘Fairy-tales do not exist’ I said to myself. But what I experienced in a week was more than I ever expected or even imagined. (…) I have been in a photographic frenzy ever since. I carry my camera with me all the time, everywhere. (…) Can no longer do otherwise.

I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

I’ve learnt loads of things and I met very nice people who hopefully i’ll see again. I improved my way to get close to the city people, who allowed me to capture intimate moments. This workshop also helped me in how to become honest to myself taking pictures and how to capture the humanity of the moment. Anyway, my conclusion is that I knew less than I thought, which motivates me a lot. Now I see how to work. Thank you for show me things that its no possible to find in books and to guide me in the road of my way of life, photography.