The workshop with Nikos, was a unique experience. He opened a new door to the world of photography for me. The tips he gave me were extremely useful and his advises clearly changed my photography approach. Finally I want to thank the whole group that made the experience unforgettable, and I am looking forward to taking part in my second workshop.

Those few seconds you waste thinking too much about whether to take that picture or not. This is what you learn to get rid of when joining an On the Road workshop.
In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the flow. And you do it because the camera eventually becomes your main means of communication. It’s no more an object you use to do something but, instead, it turns into an essential part of the creative process. You start feeling the images through the viewfinder and not just seeing them.
And, as a matter of fact, this is really good fun!

It’s all about sensibility, involvement, balance and control. This is mostly what I have learnt from Nikos workshop. From my day-to-day photos, Nikos directed my feelings and revealed what is the best in me. I started to be more conscious about what I was photographing, what I should photograph, what approach I should apply and what new direction I should explore. I have learned that getting close to people is the key, searching for the right setting and capturing the action at the right moment are essential. Nikos workshop is highly rewarding for those wishing to progress and confront themselves with street photography. Nikos workshop is a powerful human experience where I have met other interesting friendly photographers from different backgrounds, cultures and objectives in life. Nikos outspoken, honest critical look and simplicity, as personal qualities, make the workshop unique and very valuable for anybody wishing to move to next level in photography. Thank you Nikos for your true sympathy.

To have a workshop in my own country, so dear to me, was a big challenge, yet a wonderful experience…. To have Nikos there… was the cherry to the cake. It was great to see how the other participants, who I knew from other trips, viewed my people, my land. Nikos’ usual coolness, good sense of humour and positive attitude towards everything and everybody is just perfect. The daily meetings keep being the highlight of my trips, the most expected moment, after a long day, rushed editing and great expectations to see nice surprises. Nikos’ vision and contagious emotion towards a beautiful picture is moving… the atmosphere he creates, magical. Counting the days to next one. Gracias, Niko!

The Varanasi workshop was clearly the highlight of my India visit. Nikos’ advice after our first editing sessions that I should use only my 50mm lens and shoot only black and white was very valuable. After that I felt more relaxed and focused and could produce more consistent and better images. After coming home I have re-examined the Varanasi photos and I must say that I am pleased with the results. I would also like to thank for the great company during the workshop. During the daytime each student could work individually with her/his own problems. In the evenings we gathered together to discuss the results. This scheme worked out very well: you could see how the students progressed during the week. I felt that Nikos’ comments, even the critical ones, were to the point and always supportive. A specially memorable evening was when Nicos showed and discussed some of his own iconic images. I felt privileged to see and hear his thoughts on style, photography, art and life in general.

“First time in the Balkans. First time with Nikos. A great experience. While I knew him as an outstanding photographer, I discovered a gentle, honest person. He talks, does not assume. He shares his personal experience, without secrets. He is tough, but not rude. He does not overwhelms you with his skill. And what a wonderful travel companion! My only regret: having to unexpectedly leave a few days earlier”.

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

“Just walking, seeing and saying nothing and seeing the result at the end of the day. Giving myself to the road and being on the road. Hearing the honest comments Seeing throw a window that dear Nikos opens to my eyes, and exploring my country Even myself more than it. My second workshop. I wait for the next chance”

I’ll never forget that week. It was like a revolution for me. Nikos and his point of view really impressed me and that workshop opened my eyes and showed me new worlds and possibilities. Words can’t express how great everything was. I felt so much free in Istanbul and I was so close to people who I didn’t know very well. It was much more about changing my ideals than my photographic view.

I have previously attended a photography workshop with Nikos Economopoulos (Karpathos-Greece, Easter 2008) and it was the most beautiful ten consecutive days of my life. I asked to participate at the Varanasi workshop because I admire Nikos as a photographer and completely trust him as a person. I regretted it immediately after I signed up, because my fear of the unknown took over and I was about to call and cancel, despite all the shame that I would feel. Fortunately I did not do it. I got a whole lot out of this workshop. The daytime was dedicated to shooting, and during the evenings we were showing our day’s work. Niko’s observations and criticism were made in such a way that made us feel pushed forward, he has a way of encouraging you and making you put yourself in every image you make and feel confident about it. We never felt put down by a comment or a remark. There was an atmosphere of affection and solidarity all the way through. (He even helped me with my laptop..) Varanasi is magical..

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

The workshop was a great experience for me and I indeed agree that it brought together people who otherwise probably would have never met. And for me, that is what life is all about! (…) The number of people participating in the workshop was perfect. I think the small group is essential to having the opportunity to sit together and give enough time to each person to evaluate and discuss his or her photos. I liked the right mix of freedom and direction. (…) I really feel that I got to know the many faces of the city with its many diverse photographic opportunities. I think presenting other photographers’ work and meeting local photographers contributed to the quality of the workshop. Your honesty and way of critique was constructive and helpful. I feel that I walked away from the workshop with specific ‘phrases’ that I will think about in the future when photographing. (…) Overall, while it might be quite obvious, I learned that photography is very hard work and that you have to take many pictures to have only a few good ones. In the past, I think that taking lots of crappy pictures often discouraged me to go on. This workshop taught me what to look for and what elements in a shot make a good photograph. I also think that I became more comfortable to connect to people through photography. Before this workshop I sometimes felt that I was in a way ‘stealing’ pictures, but when you share a cup of tea with some fishermen and they let you photograph them it feels that our paths have crossed and both sides gave something to the moment/experience. I was inspired to learn more about photography and then focus on a specific project where I can photograph with a specific aim.

Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will be putted to the test, if you have sweated enough. On some days life gifts you with one or two good photographs, but on some not a single one. So the next morning you’ll head out again and demand your luck. And at the end of a week or two with Nikos you make your way home safe in the knowledge that you have achieved and experienced something unique.

There is a british saying – “those who can, do and those who can’t, teach” – and indeed, judging from my profession the best surgeons are usually unable to transmit their knowledge insofar as their talent and ingenuity is what drives them, and this cannot be easily transferred. So, I I did not know what to expect from a Magnum workshop.. I couldn’t have been more pleasantly surprised ! Nikos kept proving , again and again, how someone who is a (generally accepted) master in his work and has acquired a place as one of the main photographers of the 20th century, can also be a simple and down to earth person: His immense patience kept surprising me, day after day: When I thought that he would have had enough going through another bunch of amateur’s photos, he manifested kindness coupled with insight while critiquing our photos. He constantly managed to stay acutely interested, after hours of looking into photos, to adjust his level of critique to different photographer levels, without appearing either patronising or bored. Every photo would appear to be an opportunity to delve deep into the nature of photography this is not a course about flashes and lenses and f-stops indeed, it presupposes you have reached an appropriate technical level, going beyond that, trying to understand the nature of photography, why some photos move us and confuse and grasp us in such a way an academic level teaching from someone who at the same time is a real photographer. Someone who can gravitate at the same time between being the artist and the critic, the producer of art and the academic (a combination that would be normally unthinkable!). The course is not for the faint hearted it is intensive and demanding , not because of Nikos’ demands or attitude (on the contrary , he is relaxed as can be) but because you will be surrounded by talented, motivated photographers , everyone of which will be doing his/her best. This is not a course on sunsets and cute babies – but you will hear intelligent and thought provoking quotes on photography, that most people would have to spend years reading to finding from the non-descriptive power of photography to the importance of light and to the language and balance of images.. One could keep on talking about the course what was most interesting was that half of the participants Addis course have followed his previous workshops. Probably this is the greatest compliment to the workshop. I am looking forward to my next session with Nikos..

During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic someone else’s style. This had a profound effect on me. I felt “liberated” to take photos of moments that speak to me instead of photos that I think would be appreciated by others. I felt I was “allowed” to explore my own style and express myself through photography. I am normally shy and afraid of people but I slowly opened up and pushed myself with the help of Nikos’ and the group’s guidance and encouragement. It also helped that Athens has a unique character and most Greek people are charming, open, and kind – it was challenging yet inspiring to photograph there. The workshop changed how I see photography in my life and gave me a clearer sense of where I want to take my photography next.

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

(…) This sounds so cliché (…), but this workshop has changed my life! The 35mm has not left my camera and I am really enjoying composing in a way that is more interesting. (…) A few things that you said about my photography really shocked me but shocked me more to realise that you were right… still amazes me that you have made an observation that was so right from looking at my photos alone. Thanks.. In terms of feedback, I think the workshops in the evening were really enjoyable, especially being to learn from other participants’ work and your comments of them. Your help with interesting things to do prior to the workshop was also very helpful. The only thing that I would ask is for you to be even harder with your critiques and provide perhaps some sort of direction as to where each one of us could go…through each evening discussion as well as at the end of the workshop. I think your guidance to each of us is very valuable and we could do with more of it, well I could at least. (…) Not sure where photography is heading for me, but I have been loving every moment of it so far! I have learnt more in Beirut than I have in the last 2 years!

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.