Joining Nikos’ workshop has become a yearly must-do event for me. Why? Because his workshops are, for me, the ideal way to travel, if you’re serious about photography. Nikos always offers a destination that promises to be photographically interesting. He ensures we get to immerse ourselves in the place. There’s always someone who has done the ground work, and yet the itinerary remains casually open and flexible. On top of that, he has a way of challenging you to perform better and improve, but never to the point of creating competition. So far, in the three workshops I’ve attended, the participants have been a generous, agreeable, and encouraging bunch, which really is the effect Nikos’ personality and method of mentoring. Finally, in Uruguay, we had the uncommon experience of seeing some of Nikos’ images shot during the workshop, as well as some unpublished work, which left us in awe. That was special.

First of all, I am very happy to know a person like Nikos. Even if we worked until late hours, I enjoyed every minute of it.
I guess my adventure of photography will be divided into 2 before Nikos and after Nikos and I am very excited to use what I learned from Nikos on my photography.

As a passionate photographer I was looking for a workshop that was not about pixels, gear and academic lectures.
Coincidentally, I discovered Nikos’ on the road workshops. The participants’ work immediately caught my eyes – and shortly after I found myself at the Istanbul workshop. It exceeded by far my expectations: Nikos’ joviality, patience, his guidance and incitement to try new ways and discover what might be dormant in oneself was incredible! It was manifest everyday in the pictures we “brought home” after long and exhausting walks in this staggering city. The vespertine meetings were fun as well. Thank you, Nikos, for your effort and thanks to all participants for the great atmosphere!

Ok..it was really my pleasure to meet you and be part of the Damascus workshop.. A really nice experience and a good start for myself and my photos. The workshop has encouraged me to become better and learn more … In the one week I learned from your comments and your suggestions what I should look for and what to avoid. You gave me directions for finding my own style and to experiment on that. Now being back inCyprus, believe it or not, I feel like a “new ” person. I know this might sound strange but the one week that I spent time with myself and my camera and later having your comments about my work made me fall in love once again with the world of photography, keep taking photos, love the people and try more.

“I travel to photograph”, Nikos says. This statement made me rethink my purpose for travel. Not only do I want to see and be in the moment, I now strive to capture those feelings in a still image as well, so that I may later find pleasure in viewing it. This is my takeaway from Nikos’ workshop. He has given me a new perspective on travel and a new way to photograph and derive pleasure from it. It’s been some time since our group parted ways in Iran, and yet my thoughts are still suffused with notes from discussions with Nikos. The challenge now, it seems, is how to get into workshop mode and produce quality images without Nikos around. It’s tough. Whether it’s your first workshop or your fourth, Nikos’ methods will challenge you to level-up. Accept his teaching with an open mind, plus a dose of humility, and you will be rewarded with discernment of what is a good photograph, and what is mediocre. I look forward to being On The Road again.

I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.

Being on the road with Nikos for a month traveling through Turkey and Georgia was a true adventure. For those interested in documentary photography, this style of travel produces photo opportunities faster than you can click. We were 8 people traveling together, and Nikos’ unpretentious, genuine and friendly personality really brought out the best of each person in the group. He is also a skilled teacher and gives great guidance in the important work of trying to find your own personal style. Though his approach is different than on other workshops, focusing on selection and feedback rather than instructions, I truly believe this is his greatest asset. Let the results speak for themselves, and all you need to do is take a look at the works produced by his participants on this website. I can not wait till next time I will be joining again!

Ethiopia was my 4th workshop and i feel like it is already more than a workshop but seeing a good friend, travelling around and having good time. It’s more like learning more about life not only photography. So if anybody still have doubts about attending one, go, be yourself and let Maestro show you what you actually are.

The workshop in Istanbul with Nikos has been very challenging and enriching experience as I am quite new at photography. When we have to leave our comfort-zone, to see different around us, we struggle to improve and it is never easy. The precious advice of such talented and experienced photographer as Nikos opens up new horizons to work on and sharing comments and time with other partecipants turned out to be very productive and pleasant. I have appreciated so much the method, editing is crucial for any photographer and Nikos helped us understand how to proceed or try it better. I love your attitude and personal approach Nikos, so true … if we’ll be a better a person, we’ll be a better photographer.

Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.

For me as a professional photojournalist, to be with Nikos takes me back to photography where surprise and curiosity are key elements, instead of telling the story as specific as possible – as many editors seek today. Working in a fast moving newsflow, photojournalism needs surprise to stop readers, and Niko’s photography does exactly that. It intrigues us and plays with our imagination. It moves us from the world of realism to the world of surrealism.
And a workshop with Nikos is a vital reminder of photography at its best: to show us the world in a way we don’t see it ourselves. And to be formulated by a teacher, not only extremely talented, but also a friendly and charismatic travel companion.
I’m already looking forward to my next workshop with Nikos Economopoulos.

Nikos workshop was by far the event with the most intense and strongest impact on my photographic view. It was an amazing pleasure to see everyone flourishing under Nikos relaxed and still disciplined guidance. Initially you might experience some confusion. You might still carry the diffuse anxious anticipation you built up before the workshop. Or You might feel even jammed seeing your former photographic concepts going to pieces. But then: Boooooom – comes the creative explosion within the steep part of the learning curve. You´ll very soon get more selective, more focused, more careful, more personal and more playful when working with your camera. Powerful stuff, hard work, lovely people and lots of fun. Nikos teaches a wonderfully concentrated no-frills approach to photography. One camera, one fixed focal. It´s all about the picture, the visual event in the frame and within that rigorous selection of what is interesting and what is not.

Thank you for another great workshop. During my week in Athens I believe to have again improved my photographic skills and at the same time was able to acquire important knowledge on how to take pictures in difficult situations, i.e. in this case taking pictures of people having to live under precarious circumstances and taking to the streets. Athens during the financial crisis struck me as a city of strong social distinction with poverty becoming strongly visible in the streets of some areas and on the other hand still keeping its friendly, sunny side for which it also stands. I finally ended up trying to show these contrast in my pictures  ̶ as it seemed to me that focusing on one side only would not show an equitable picture of Athens in the situation of the financial crisis. There is still positive energy certainly among the young. I enjoyed the evening sessions with the other students in the workshop as always pleasant and informative. I am looking forward to the next workshop I will be able to attend.

This workshop provided me with a new prism at taking photographs including more sentiment and injecting more thought and content to my work. As a newcomer to “Street photography”, the workshop allowed me to quickly get into a pace and experiment with this new to me approach, producing some fair results quite quickly. Invaluable was the fact that I gained a lot from the positive evaluation by Nikos of my other coworkers’ work. This evaluation demonstrated to me things to avoid once I get further down in my own journey and also experience paradigms of good quality work that I could try and experiment with. Things that take ages to discover, are presented to you during one week’s teamwork. Absolutely a positive experience with a lot of new friends that I really enjoyed!

With this workshop i finally felt the urge to pay attention to my work, the way to select a photo for a portfolio and harmony between the series of photos in a portfolio. This is not by force but by the inspiration and motivation that Nikos was emitting. I feel so lucky to work with him and with all the other great photographers who have attended. He gave me the direction, inspiration and motivation that I was in need of, now shooting only 35mm and only colour, I feel excitement and joy and cannot wait for another workshop with Nikos to evaluate the improvement (hopefully) together. Now i see 35mm framelines everywhere i look.

4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

My name is Seungwoo Chae. I’m working as a photographer for a newspaper in Korea. I was feeling that something was missing in my photography. I wanted to know what I needed. Consequently, it was great idea to participate to Nikos’ workshop. He told me and showed me what was ‘photographic’. I felt to return to beginning. I think I could start again.