Ethiopia was my 4th workshop and i feel like it is already more than a workshop but seeing a good friend, travelling around and having good time. It’s more like learning more about life not only photography. So if anybody still have doubts about attending one, go, be yourself and let Maestro show you what you actually are.

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.

This week was, by far, my best spent time concerning photography over these last few years.
I was trying to clear my mind, to find the right approach to photography, and this workshop was a stepping stone, taking me to another level of understanding.
Staying late each night, patiently going through other participants’ work, as well as my own, answering our questions, explaining choices we did not understand in the beginning, helping us to see the good and the bad elements in a photo, pointing out good content and good intention.
All these things and more, Nikos did in a very honest way, sharing his thoughts and his knowledge with each of us. A great photographer, and a really inspiring mentor.

Nikos teaches the real thing – learning to shoot excellent photos that capture the eye and interest. Stopping fashionable habits like” storytelling”, “streetphotography” – avoiding clichés, mannerism and boredom instead pure clarity and mastership in creating compelling visuals. A group of excellent photographers with very special talents meets – surprising in expertise and dedication.
Nikos himself – an open-minded and well-balanced teacher: straightforward, clear and offering individual ways of learning to everyone.
You will shoot on your own during the day those topics that give you most pleasure. In the long evenings there is a very intense time for moving forward by editing the shots taken and studying examples from the history of photography: you start to see like your camera does and to discover the beauty of the unknown. 
Nikos acts with attentive care for the thoughts and ideas of the participants, offering a new step every day on how to continue. Efcharisto poli.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

I’ve been thinking the past two weeks, trying to re-evaluate my photos with a better, more critical eye. Seeing how you evaluate each photo, examining each element, their relation to each other, and how they come together to make a photograph changed the way I look at photographs now. And I think this is what I gained most from the workshop: I can already see that your comments were pretty much spot on about the portfolio I presented, but I’m still a long ways from being a decent editor. I’ve already started heavily studying the works of other photographers and I’ll probably do a re-edit of that portfolio in six months to see how much I’ve progressed. The other benefit from the workshop was that I’m more focused in shooting. You saw this change during the course of the week, so I don’t think I need to elaborate more. Now I just need to work harder to make good photos. (…) Completely changing my photography in a week is almost impossible, but I think you’ve pointed me in the right direction. The real benefits of the workshop will come months from now if I follow through on two things:

learn to recognize a good photo and
put what makes those good photos good into my photos (but not in a way that I’m copying).

It was a fun and helpful week. I’ll work to make better photos now!

“I travel to photograph”, Nikos says. This statement made me rethink my purpose for travel. Not only do I want to see and be in the moment, I now strive to capture those feelings in a still image as well, so that I may later find pleasure in viewing it. This is my takeaway from Nikos’ workshop. He has given me a new perspective on travel and a new way to photograph and derive pleasure from it. It’s been some time since our group parted ways in Iran, and yet my thoughts are still suffused with notes from discussions with Nikos. The challenge now, it seems, is how to get into workshop mode and produce quality images without Nikos around. It’s tough. Whether it’s your first workshop or your fourth, Nikos’ methods will challenge you to level-up. Accept his teaching with an open mind, plus a dose of humility, and you will be rewarded with discernment of what is a good photograph, and what is mediocre. I look forward to being On The Road again.

All along this workshop, I’ve learnt and understood many many things, photographically and personally. My vision of photography has considerably changed. After these eight days, I feel really motivated to carry on learning, practicing and enjoying photography. This experience was very fruitful and positive. Moreover, I appreciated that you give a chance to every person. Thank you for all that !

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

Joining Nikos’ workshop has become a yearly must-do event for me. Why? Because his workshops are, for me, the ideal way to travel, if you’re serious about photography. Nikos always offers a destination that promises to be photographically interesting. He ensures we get to immerse ourselves in the place. There’s always someone who has done the ground work, and yet the itinerary remains casually open and flexible. On top of that, he has a way of challenging you to perform better and improve, but never to the point of creating competition. So far, in the three workshops I’ve attended, the participants have been a generous, agreeable, and encouraging bunch, which really is the effect Nikos’ personality and method of mentoring. Finally, in Uruguay, we had the uncommon experience of seeing some of Nikos’ images shot during the workshop, as well as some unpublished work, which left us in awe. That was special.

Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.

First I think anyone who wants to travel and learn to be a better photographer should take at least one of Niko’s workshops. When I came back from Cuba I felt that I really knew Havana and interacted with so many people (even with my non-existent Spanish) and it was so amazing to feel part of the city, not just a tourist. I have the travel bug now and I would never travel any other way again.
Nikos, In your workshop, the messages that you have about photography are so important for anyone who is interested in taking better photos. They are in my head constantly. Visually valid is such a hard thing to put into words but I am striving to find that more and more in my photos. You really push people to dig deeper and find something more in their photography (but in the nicest way).
And also I want to say how much I appreciated your generosity. It’s not very often that I come across people as kind and giving as you are, from your knowledge with photography – taking photos, editing, post processing, you shared as much as you could. You even shared your sandwich with me on the first day!
And also I am really interested in doing a master class but I have to save up more before I can. And hopefully I can do another workshop in the future but this time I will be much more prepared for the adventures!
Thanks again Nikos!!!

I guess the first thing I would like to say is that I really enjoyed the whole experience. I liked the relaxed structure of the workshop, it was flexible and we were free to make our own plans for the day and to shoot pretty much whatever we chose. (…) In terms of the effect it had on my work, I feel I learned a lot and I feel more confident in my photography as a result. I don’t show many people my work, but all my friends and family have seen my Istanbul folio.

Working with Nikos in Istanbul was personally an eye-opener for me. His insight and way of seeing changed my entire approach to photography. If you want to take your photography to the next level and make meaningful images I highly recommend his workshops for you. This was my first workshop with Nikos and he impressed me so much that I’m hoping to repeat someday soon if time and work permits. Thank you, Nikos, for your patience and sharing your vision with me!

As a passionate photographer I was looking for a workshop that was not about pixels, gear and academic lectures.
Coincidentally, I discovered Nikos’ on the road workshops. The participants’ work immediately caught my eyes – and shortly after I found myself at the Istanbul workshop. It exceeded by far my expectations: Nikos’ joviality, patience, his guidance and incitement to try new ways and discover what might be dormant in oneself was incredible! It was manifest everyday in the pictures we “brought home” after long and exhausting walks in this staggering city. The vespertine meetings were fun as well. Thank you, Nikos, for your effort and thanks to all participants for the great atmosphere!

“Loved loved the workshop. Nikos is a great teacher. The way he offers feedback is fantastic, it helps you grow from day to day and see things in a different way from day to day. Really liked the daily edit session and learned a lot from looking at each other’s work. It was an honor to be part of a group of so talented photographers. Hopefully will be able to join another workshop in the near future.”

The workshop in Lisbon was very enlightening for me, since I don’t normally do this kind of photography. After sharing these days with Nikos and the other participants, I find myself noticing things more, actually “seeing” people and their interaction with each other and the immediate environment. It was an eye opener and this kind of photography is something that is gradually becoming more enticing and enjoyable for me. Besides, the way Nikos leads the participants gives them complete freedom to experiment and achieve durable results, while gently guided by a master towards better and better images and a keener vision. He hides nothing from the participants and genuinely strives to give everyone an unforgettable experience. Nikos Economopoulos, thank you very much for a very enjoyable week.

Most recently, I participated in the Argentina/Uruguay workshop with NIkos. This was my third workshop with him. Each one has been as different as the countries we visit, our photography levels, and the wonderful people who participate in them. What is certain each time, is the positive photographic and personal experience. Nikos doesnt hold your hand, tell you where to go, or how to photograph. He encourages you to find that yourself and you do. You can count on his encouragement and guidance but the search is yours as you will www.ontheroad.grelop your own style and your own way of being a photographer. The daily evening meetings are fantastic, everyone shares their work from that day and the conversation is very enriching. Nikos enthusiasm to see everyones work is wonderful, he is interested and excited about our images as if they were his own. This contagious enthusiasm and his amazing constructive criticism becomes our best tool and guidance for the next day. Nikos workshops are not for the faint of heart, they are a lot of hard work, discovery, physical and emotional effort and incredibly rewarding. I can hardly wait for the next one. I am amazed at my growth as a photographer as a result of Nikos’ workshops, not to mention what a wonderful way this is to see the world and become part of it. Thank you Nikos!