Attending a workshop with Nikos as your teacher, critic and guide into the world of creating the best images that you can produce, is both a challenging and inspiring experience. This was my second workshop with Nikos, and it was incredible!! How he teaches you to look at a photograph and “not just see it” makes me compose each individual frame with an more critical eye and deeper understanding on how to make a photograph come alive. With his encouragement and strong commitment to getting the best from me, he guided me in the direction that I wanted to grow. Ultimately the week with Nikos was a very rewarding experience! On another note just spending time with him, over dinner or lunch, listening to his stories, is great. Traveling around parts of Istanbul with him on tram’s, trains and taxi’s looking for stadiums, they are all great memories that will be with me for a longtime.

The Myanmar “on the road” trip was such an enjoyable and memorable experience. I really enjoyed meeting Nikos, and all the other participants, and have genuinely learnt so much, which is gradually finding it’s way into my photography. Nikos’s passion for photography was inspiring. I found him to be a great teacher, warm, genuine, direct, and generous in sharing his wealth of insight and experience. Nikos encouraged us to create interesting photographs that went beyond the purely descriptive. Day by day, through the editing process, the resulting portfolios grew to reflect each participant’s personal response to the people and places we encountered along the way. The experience was made all the more enjoyable by sharing it with a group of interesting, creative people. I found the workshop challenging but hugely rewarding, and I know that I will continue to apply all that I have learnt, thanks Nikos!

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

The workshops of Nikos Economopoulos are a great teaching experience. For him there is no “must” or “don’t”. I was suddenly confronted with all my past choices in a way that forced me to go backwards and look for all those things that I had previously discarded in order to re-assess them. At least I now feel closer to the truth. And I thank him for this and for everything else.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

I liked very much not only the editing process but the general discussions we had about photography, and the way you challenged everyone and frankly shared your opinions. In my opinion, the more opinionated, the better. (…) I liked the way you emphasized the idea of creating the portfolio from pictures with a similar approach. I feel I am on the way to www.ontheroad.greloping a style.

Every evening, after a busy day of wandering the streets and shooting, I was rewarded with the pleasure of looking at the interesting and beautiful pictures of my fellow students in the workshop. In doing so and by Nikos‘ wonderful and empathetic teaching and the ensuing discussions, I learned so much in terms of visual perception and the transformation into a good picture that I can see more clearly now than ever before the direction, in which I want to move and on what I need to focus on. Thank you, Nikos for yet another enriching experience and thanks to all of you for the pleasant time we shared during the week in Istanbul. It was marvelous!

Working with Nikos in Istanbul was personally an eye-opener for me. His insight and way of seeing changed my entire approach to photography. If you want to take your photography to the next level and make meaningful images I highly recommend his workshops for you. This was my first workshop with Nikos and he impressed me so much that I’m hoping to repeat someday soon if time and work permits. Thank you, Nikos, for your patience and sharing your vision with me!

I have previously attended a photography workshop with Nikos Economopoulos (Karpathos-Greece, Easter 2008) and it was the most beautiful ten consecutive days of my life. I asked to participate at the Varanasi workshop because I admire Nikos as a photographer and completely trust him as a person. I regretted it immediately after I signed up, because my fear of the unknown took over and I was about to call and cancel, despite all the shame that I would feel. Fortunately I did not do it. I got a whole lot out of this workshop. The daytime was dedicated to shooting, and during the evenings we were showing our day’s work. Niko’s observations and criticism were made in such a way that made us feel pushed forward, he has a way of encouraging you and making you put yourself in every image you make and feel confident about it. We never felt put down by a comment or a remark. There was an atmosphere of affection and solidarity all the way through. (He even helped me with my laptop..) Varanasi is magical..

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

Thank you for another great workshop. During my week in Athens I believe to have again improved my photographic skills and at the same time was able to acquire important knowledge on how to take pictures in difficult situations, i.e. in this case taking pictures of people having to live under precarious circumstances and taking to the streets. Athens during the financial crisis struck me as a city of strong social distinction with poverty becoming strongly visible in the streets of some areas and on the other hand still keeping its friendly, sunny side for which it also stands. I finally ended up trying to show these contrast in my pictures  ̶ as it seemed to me that focusing on one side only would not show an equitable picture of Athens in the situation of the financial crisis. There is still positive energy certainly among the young. I enjoyed the evening sessions with the other students in the workshop as always pleasant and informative. I am looking forward to the next workshop I will be able to attend.

To have a workshop in my own country, so dear to me, was a big challenge, yet a wonderful experience…. To have Nikos there… was the cherry to the cake. It was great to see how the other participants, who I knew from other trips, viewed my people, my land. Nikos’ usual coolness, good sense of humour and positive attitude towards everything and everybody is just perfect. The daily meetings keep being the highlight of my trips, the most expected moment, after a long day, rushed editing and great expectations to see nice surprises. Nikos’ vision and contagious emotion towards a beautiful picture is moving… the atmosphere he creates, magical. Counting the days to next one. Gracias, Niko!

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

This is my third workshop with Nikos. It has been very helpfull to me in order to discover what kind of photography I want to do in the near future and to begin to www.ontheroad.grelop my own style. I think Turkey is a great place to take pictures and I have the intention to go back several times and make a solid photographic portfolio of the country. The atmosphere, participants, place…all have been great.

Two words about something I don’t understand. About something that has been in me for over a decade. A tale that I had made up in my mind (…) In September 2009, I packed two changes of clothes dress and two cameras and came to Istanbul. Expectations? Countless. Reservations? Even more. ‘Fairy-tales do not exist’ I said to myself. But what I experienced in a week was more than I ever expected or even imagined. (…) I have been in a photographic frenzy ever since. I carry my camera with me all the time, everywhere. (…) Can no longer do otherwise.

As a professional photographer for 25+ years I thought this would be a pleasant little holiday, it turned out to be so much more. Whoever said you can’t teach an old dog new tricks had the wrong teacher. Be inspired and energised by one of our greatest living photographers. Thank you Nikos for reigniting my passion.