I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

First of all, I am very happy to know a person like Nikos. Even if we worked until late hours, I enjoyed every minute of it.
I guess my adventure of photography will be divided into 2 before Nikos and after Nikos and I am very excited to use what I learned from Nikos on my photography.

My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.

My experience in Beirut, participating in a photography workshop with Nikos was not only BRILLIANT and AMAZING, it was something more! The daily editing sessions were key to learning more not just about my own work and what direction it might take, but I learn’t so much from everyone else too and what you taught us in those sessions. I now look at a photograph with critical eyes and less emotion, I want the photo to tell me a story, in and of itself. I compose differently, I use my camera more effectively (I think &amp hope) everywhere I look I am trying to compose a photograph, not just when I feel it intuitively but when it might not be the ideal situation photographically. I am more patient with myself and the elements around me. But something that I took away from the workshop in Beirut, you said it a number of times but especially towards the end of the week. You said “Take pleasure in what you photograph” and that is exactly what I am doing more so than ever and I am loving every moment of this new enlighten journey I am embarking on with my camera!

I guess the first thing I would like to say is that I really enjoyed the whole experience. I liked the relaxed structure of the workshop, it was flexible and we were free to make our own plans for the day and to shoot pretty much whatever we chose. (…) In terms of the effect it had on my work, I feel I learned a lot and I feel more confident in my photography as a result. I don’t show many people my work, but all my friends and family have seen my Istanbul folio.

The workshop and Nikos in particular have transformed my outlook as a photographer and will hopefully have a long-lasting impact in my work. I have genuinely appreciated Nikos’ insight and approach. During the workshop he managed to shed valuable light to the next steps needed ahead, in a practical, tangible, results-oriented and implementable manner, yet customised to each participant’s needs. Nikos has a unique way of guiding and helping the participants improve. He can be, at the same time, encouraging and motivating, while remaining ruthlessly honest when pointing mistakes and areas that need further work. Perhaps even more importantly, I am particularly grateful for his generosity in sharing and mentoring. Nikos has been remarkably open and welcoming and succeeded in reaffirming my enthusiasm, not only for photography but especially for documentary photography. I am looking forward to the next workshop and to new explorations.

Being on the road with Nikos for a month traveling through Turkey and Georgia was a true adventure. For those interested in documentary photography, this style of travel produces photo opportunities faster than you can click. We were 8 people traveling together, and Nikos’ unpretentious, genuine and friendly personality really brought out the best of each person in the group. He is also a skilled teacher and gives great guidance in the important work of trying to find your own personal style. Though his approach is different than on other workshops, focusing on selection and feedback rather than instructions, I truly believe this is his greatest asset. Let the results speak for themselves, and all you need to do is take a look at the works produced by his participants on this website. I can not wait till next time I will be joining again!

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

It was a huge learning experience for me attending your workshop. The feedback and the criticism you gave, pushed me and challenged me to see better and improve myself. Although Sicily wasn’t very interesting for me photographically, I learned that no matter where you are, there are always good photos to be taken. I really enjoyed the company of the other participants, and also learned a lot from their work. Sharing your knowledge and insights with us was priceless. Thank you so much, and hopefully will join you soon on another photography adventure!!

As a professional photographer for 25+ years I thought this would be a pleasant little holiday, it turned out to be so much more. Whoever said you can’t teach an old dog new tricks had the wrong teacher. Be inspired and energised by one of our greatest living photographers. Thank you Nikos for reigniting my passion.

First of all I would like to thank Nikos and the participants very much for the workshop in Istanbul. The learning experience of the workshop was absolutely immense. It was participant-centered, and this provided not only close supervision but also great space for creativity and room for www.ontheroad.grelopment. Further, I have really enjoyed meeting with Nikos and the other participants. For me meeting with Nikos was like ‘downloading wisdom’ from a master photographer like himself but the challenge lied in reflecting that wisdom on my photographs. In addition, I think participants added much to my experience with their diverse approaches to photography and they were great company. Given his credentials, I think Nikos is very modest while professing strongly his mastery secrets and has a very nice personality. I feel privileged to have been a part of this whole experience and hope to get together with them sometime in the near future at another workshop.

People ask me why I keep attending Nikos’ workshops. Well, I can’t imagine a better way to experience and photograph a new place than through Nikos’ workshop! The regimen and discipline it requires is just impossible to duplicate if you’re otherwise simply traveling on holiday. What’s even better is that you get daily feedback and instruction. We see ourselves improve, whatever skill level we’re at. Our understanding of photography and our own approach thereto is deepened with each session, in every workshop attended. This is probably why this tribe of On The Road travellers has continued to grow into a thriving community of like-minded people. Even after the workshop, we have continued to keep in touch and remain friends, providing each other with insight and feedback on photography. This is why I like being On The Road with Nikos.

I’ve learnt loads of things and I met very nice people who hopefully i’ll see again. I improved my way to get close to the city people, who allowed me to capture intimate moments. This workshop also helped me in how to become honest to myself taking pictures and how to capture the humanity of the moment. Anyway, my conclusion is that I knew less than I thought, which motivates me a lot. Now I see how to work. Thank you for show me things that its no possible to find in books and to guide me in the road of my way of life, photography.

The workshops of Nikos Economopoulos are a great teaching experience. For him there is no “must” or “don’t”. I was suddenly confronted with all my past choices in a way that forced me to go backwards and look for all those things that I had previously discarded in order to re-assess them. At least I now feel closer to the truth. And I thank him for this and for everything else.

The expertise and clear vision of Nikos criticism is the best gift for any photographer attending his workshops. The last few years I had lost motivation for photography and all i was hoping from this workshop was just to awake my “eye” and to feel the magic of the photographic process. The “mission” was more than accomplished! Until the end of the workshop i felt falling in love with photography again and got the thrill of grabbing my camera and go photograph the action. Nikos guided me through this process and with his generosity shared precious “secrets” of big photographers. The end of the workshop meant a new start to my photographic projects. I continue photograph the city and feel the influence of this workshop on my work. THANK YOU! I am really looking forward to the next photographic workshop with Nikos!

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!