Testimonials

Addis Ababa was my second workshop with Nikos. I came back for two reasons: One, because I know he is a great teacher who brings out the best in you. He gives you honest and relevant feedback which helps you www.ontheroad.grelop more as a photographer in a week than you would normally in a year. Two, because he is a great guy also on a personal level, and he really knows how to make a group work together and have fun at the same time. Plus did I say most of his workshops takes place in exciting and exotic locations, with more motives that your mind can process? I am already looking at how soon I can go again..

I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.

My third on the road workshop and again another amazing experience. New goals set not only for the workshop but to consider and start tackling when you return home. Nikos simply does not give you a break! Looking at your work, he sets personal goals for each participant and demands to see more in every critique. That is one of Nikos’s major strong points as a teacher along with his contagious passion for photography. With such motivation and challenge, I find myself driven to accept the challenge and push for more. He simply keeps me marching to make the best out of his workshops. Most important I see it better. Having your work compared against other photographers help you see what you need to work on next. You see your points of strength and weakness against theirs and helps to learn and set goals. It was a nice experience to run into other participants that you met in earlier workshops and see how they grew as photographers since the last time you met them. This workshop was the best of the three for the reasons above and for the fact that it was held in Mumbai. For me it was a portrait heaven and almost everywhere we went was a great shooting location. We were also blessed with a group of participants from all over the world that were extremely dedicated to photography and committed to making the best out of this workshop. The most special thing about these workshops is that for a week you get to switch off and escape from everything and think nothing but doing the photography that you want and love. It is just you with your camera on the road. I look forward to join other future workshops with Nikos and highly recommend it as a great learning and fun experience!

I feel really blessed to be part of the community of “ontheroad”. Nikos is an extraordinary mentor for everyone no matter which level one is working on. And, besides the joy of the journey it’s the great company of all the warm people you meet in this workshop. The things we have learned from Nikos are starting to work in my mind and i hope to begin seeing not just recording something. I really enjoyed it a lot. I really look forward to the next workshop.

Attending a workshop with Nikos as your teacher, critic and guide into the world of creating the best images that you can produce, is both a challenging and inspiring experience. This was my second workshop with Nikos, and it was incredible!! How he teaches you to look at a photograph and “not just see it” makes me compose each individual frame with an more critical eye and deeper understanding on how to make a photograph come alive. With his encouragement and strong commitment to getting the best from me, he guided me in the direction that I wanted to grow. Ultimately the week with Nikos was a very rewarding experience! On another note just spending time with him, over dinner or lunch, listening to his stories, is great. Traveling around parts of Istanbul with him on tram’s, trains and taxi’s looking for stadiums, they are all great memories that will be with me for a longtime.

I did not know what to expect from a Greek maestro who lives and travels half the year in his cool VW T3. From the first hour of meeting Nikos in Pristina, my perspective on human relations and photography changed. His no-nonsense approach, opinions and advice delivered always with respect, kindness and often times, humour plus his wealth of life and photographic experience taught me to be free, take risks, challenge the norm and focus on making a compelling and difficult photo instead of fiddling with technical issues. What is also priceless, is his personal interest in the places and people we visited. Without his thoughtful commentary on the historical and cultural background to frame the environment we were in and his interesting friends who joined us during the week, it would have been a totally superficial tourist visit to Kosovo. I can’t wait to join him again.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.